“Internet fantasy erotic literature”, the author’s favorite literature category. “Appreciation”, with a subjective sense, to gladly love to praise the consciousness of the main, emphasizing the readers of a certain work of preference prejudice appreciation of the views. Therefore, the main purpose of this article is to express the author’s love and prejudice for “Internet Fantasy Erotic Literature”.
So far, it seems that there has not been a single article dedicated to the discussion of “fantasy erotica on the Internet”. Certainly in the annual appraisal, “fantasy erotica” most of the list, although there are also a lot of exploration of the creation of a single paper scattered in the Lamb, wind and moon, Wuji and other discussion forums, however, to a comprehensive discussion of the article, but so far to pay for the queue. Kid not talented, want to “network fantasy erotic literature”, write a more complete structure of the discussion of the text.
What kind of articles can be called “Internet Fantasy Erotic Literature”? What is the development of “Internet Fantasy Erotic Literature”? What are the characteristics and advantages of “Internet Fantasy Erotic Literature”? What are the influential works in “Internet Fantasy Erotica”? How to write a good “Internet fantasy erotic literature”? The future of “Internet Fantasy Erotica”? The author would like to discuss all these in the following interview.
This paper is expected to be divided into three main parts.
Part I: Discusses the “literary history” and “characteristics” of online fantasy erotica, so that everyone can understand the genre.
The second part: the actual appreciation of the model essays, analyzing what is so good and special about each of them.
Part III: Proposing Critical Rules and Accepted Standards for Metaphysical Erotic Literature on the Net.
Basically, this article is written for readers who are interested in getting into metaphysical erotica. On the one hand, it allows everyone to understand the characteristics and advantages of the genre, and on the other hand, it also provides an understanding of the characteristics of the major authors, as well as what good writing can be appreciated. Of course, if the readers who are interested in trying to create fantasy erotica, if they can read this piece of water full of prejudice and personal subjectivity, about to find a way to the road of creation, then it is the author and the general public of the Internet’s fortunate.
What is online fantasy erotica?
The author gives it a definition: “Anyone who conforms to the characteristics of metaphysical literature with erotic narratives and at the same time uses the Internet as a medium of communication is to be defined as Internet metaphysical erotic literature.”
Basically, eroticism is quite easy to understand, and can be roughly defined as the promotion of pornography through love. However, the category of “fantasy literature” is a difficult case to define. On the one hand, it has the setting framework and worldview of Western Fantasy Literature, and at the same time, it mixes a lot of Chinese concepts with the characteristics of Japanese ACG. A more academic way of saying it is that xuanfan is “the bastard child of the Western fantasy that crossed the ocean with computer games and hybridized with Chinese wuxia.” The common saying is, “Just mix them together and make pissed cow pills, right?” It can be said that martial arts, romance, fantasy, magic, can be a little bit related to it. Therefore, we explore the origin and development history of fantasy eroticism, must also be divided into its various sources, detailed discussion is. First of all, first by the “metaphysical erotica” development of the spatial and temporal background to start, and then by the “metaphysical erotica” of the characteristics of the narrative, I believe that is not to get the essence of its meaning, can also roughly understand its purpose.
And the more detailed part is analyzed in the following section.
□ Literary history and important figures:
◎ Origin
The earliest far-flung ancestor of metaphysical erotica would be the grand old man of Western fantasy literature, the Dragonlance Chronicles. On the one hand, the guidebook for the Dragonlance series, which contains monster settings, racial settings, worldviews, and god prayers, is still a classic example of what many unadvanced rookie authors have copied directly from (and even more unadvanced scum have probably copied directly from computer games. Whoops! You have to use three parts of your mind even when copying.) On the other hand, it was one of the first fantasy novels to introduce the theme of polyamory (Laurana, the kindly and somewhat idiotic elf princess, and Chitira, the beautiful and debauched dragon rider general, revolving around a half-elf who is worried about who to choose) and abundant bed scenes. Since the 1980s, it has been a reference for countless great works in the Japanese ACG industry. In the early 95’s, it was already translated and circulated in Taiwan’s major bbs, so for this masterpiece, I have to give it the honorific title of Zeng Grandpa.
But this time the bed scene, still stay in the so-called “boots method”. What do you mean by “wearing boots” method, is what action – foreplay wrestling after the scene are not written, only after the end of the writing, everyone clothes on, is wearing shoes of that scene, solid said “wearing boots”. This kind of description, can still be seen in such as “I am a great master” and other obstacles to the rules, need to grasp the scale of the semi-fantasy erotica. (Though I doubt they’ve read the books ……)
※Dragon Gun is in fact a trilogy. In order, they are Dragonlance Chronicles, Dragonlance Legends, and Summer Yan’s Dragon, all of which have now been introduced to Taiwan by the third wave. You can find them on fantasy bbs on the net. As far as I can remember, the earliest writers who are commonly known as “fantasy” are Master Huang Yi and Master Ni Kuang. Ni Kuang’s late works, such as “Asian Eagle”, meat flavor overflowing. Huang Yi’s works began to sweep Taiwan’s rental bookstores around ’94, such as The Legend of the Great Swordmaster, Overwhelmed by Clouds, and The Search for Qin, all of which already had the characteristics of fantasy erotic literature on the Internet. Emphasizing the concept of a harem with a male protagonist who is different from the rest, with exceptional abilities and many concubines, and using the plot of a male protagonist who hunts for women while adventuring and achieving a great career while holding countless beauties as the main axis. This is already the standard main line of online fantasy erotica. In addition, in terms of the depiction of eroticism, it has also reached the level of “except for not writing about sex organs, probably everything that should be written has been written.” It’s a great deal. It can be regarded as the founder of fantasy erotica.
From 1995 to 1997, the budding of Internet literature, especially homoerotic creation, took place. At that time, the Internet was rapidly spreading in Taiwan, exceeding two million households in 1996, and BBS had been set up in all major campuses, contributing to the initial molding of the Internet communication medium.
In terms of Japanese comics, animation, and games, a number of 90’s anime masterpieces – “Diablo”, “Evangelion” (EVA), “SALYER”, and “Heaven and Earth are Useless” – have been released, and their settings and plots are all very impressive. In Taiwan, there is also a group of ACG people who take Japanese comics and games as their spiritual food. Under the influence of these works, a fantasy worldview and the basic concept of magic have gradually become the consensus of readers.
As for Hong Kong comics, Wong Yuk-Lang had just released The Legend of the Son of Heaven and Dragon Tiger V at the time. It brought out a brand new paradigm where magic and technology could co-exist with martial arts. Wen Rilian’s “Legend of the Black Panther”, “Sea Tiger” and “God of Wushu”, on the other hand, with its sophisticated setting structure, violent aesthetics full of wild vitality and dominating lines, became another martial arts narrative style emphasizing novelty and bloodshed, in addition to Huang Yi’s style of virtual metaphysics and Jin Yong’s style of montage narration.
In terms of erotic models, the cutting-edge publishing house introduced a number of HGAME scripts and novels from Japan, such as the “Classmates Series” and the “Dragon Knights Series”, some of which won the competition with delicate and exquisite emotional narratives, while others brought the abundant imagination of Japanese fantasy eroticism. This batch of works brought the earliest model and the initial imitation of the reference object, but also an important factor that prompted the formation of fantasy eroticism. HGAME masterpieces such as “Classmates 2” and “Ghost King”, the scripts of which were beautifully set up, also shocked the young students at the time. Lanyu (Rosen) himself admitted, “I’m not a suitable person to play computer games, because when I’m touched by the plot, it’s often the desire to create that explodes, and then there’s one more piece of weird stuff in the computer.”
It is also worth mentioning that, at the same time, Taiwan’s Daewoo Software launched several sets of exquisite quality RPG games. If “Regulus Series”, “Immortal Sword and Chivalry”, in the plot of martial arts romance, in the setting of the existence of compatible martial arts and magic, can be regarded as the basic framework of the mystery novel of the pioneers.
It can be said that at this point in the network metaphysical erotica preset work, has been roughly completed, is about to come to the detonation of the moment.
◎Funze Monogatari – The first important and influential work.
Then, a work that can truly be called online fantasy literature finally appeared: this is “The Story of the Wind”, which is still in the limelight today. The author, Luo Sen, is one of the weird and wonderful people who have the courage to try. (Taiwanese, and said to be from a distant amoeba.) According to the author’s afterword, “A good work is seven parts creativity and three parts realism,” and with this as his premise, Rosen incorporates a large number of various subcultural themes into his creations. “Romance, martial arts, sci-fi, history, eroticism and other soups are mixed together and cooked into a pot of chowder, and maybe some people will scream that it’s good to drink, but it’s not necessarily …….” Although the pressure to publish resulted in the cancellation of all of his originally hot erotic storylines, his concept still resulted in the most versatile form of metaphysical erotica available. The concepts of setting adventures in an alien world that resembles the Middle Ages, horizontal transplants of settings from all sides, and grandiose long stories that are often more than a million words in size have all become understandable and acceptable to the masses.
When a new paradigm emerges, it is natural that there is considerable resistance to it. Enthusiasts such as the author of the stream of water, because of which to devote themselves to the creation of metaphysical eroticism, while those who detest it are denounced as the source of all evil. However, it is undeniable that the quality of “The Story of the Wind” has reached a high level, with a deep and touching emotion, a deeply charming character image, and an extremely powerful battle. And for the network of fantasy erotic influence can also be said to be far and wide, and later works are more or less affected by its influence. The fantasy style he brought up became a major force in the Yuan Yuan = Giant Bean forum at the time, attracting many new talents to join in. After that, “Windy Story” became the pillar of Griffin Publishing House, and then “The Chronicles of Alibaba” brought about the birth of Sexuality, which made it possible for online fantasy erotic novels to be transformed into physical books, which is a great achievement. It is said that the author is still incarnated as the king of manuscript promotion, which is a great contribution to stimulating consumption, encouraging production, and maintaining the wind and moon in a constant state.
Here, however, I feel that there is a very worthwhile trait that “Windsong Story” has a lack of successor. That’s the part where there’s about describing emotional scenes.
In terms of love narration, Rosen follows the example of Silken and Shinji Nojima, emphasizing the delicacy of love scenes, and taking great pains to repeatedly depict the changing state of mind of women in the face of love, boldly penetrating into the heart, complemented by the blending of emotions, to portray a very true and beautiful feeling of love. The tenderness and delicacy of the grass in “Milky Way” is shown in the fondness of looking at the lover with another person in her arms. In “The Fallen Star”, Temujin’s juvenile innocence, which is close to self-sacrifice, is revealed when Hanahai sighs that it is difficult to redeem the five hundred years of time. This is the later metaphysical erotica authors tend to ignore or try to escape. This makes the later metaphysical erotic authors, although each has its own unique characteristics, but in the depth of the work is often greatly inferior, is due to this description of the emotional effort did not work ……
◎ The wind is rising up against the current.
Around the same time as the appearance of “The Story of Wind”, another major influence on online fantasy erotica, Mo Ren, and his masterpiece, “No Gen Century”, appeared on the scene.
The Century of the Undivided Genius and the later Heavenly Devil’s God are known as “kung fu” novels. In terms of plot, they follow the route of traditional martial arts novels, with the male teenage protagonist gradually becoming an unrivaled master in the world as the main axis. In terms of background setting, the novels are fantastical and overstated, emphasizing the background of their own creation, and using fresh backgrounds and rivals that keep appearing as a means of practicing kung fu. At the same time, the main character pays great attention to the ability of the protagonist alone, and emphasizes the protagonist’s special ability and invincibility with a romantic attitude. Emotions are also depicted with the protagonist as the main character. The protagonist is systematically used as the object of “empathy”, deliberately making the reader bet on the hero.
Before the appearance of the above works, most of the “fantasy erotica” has not yet been able to break away from the “fantasy” to form a group of the basic formula of multiple protagonists, while the network of fantasy erotica articles are still with the meaning of fantasy, or HGAME novels, such as the earlier masterpieces like American teenage warrior prequel”, “special attack mecha team”, “dark magician handbook” are with a strong adaptation of the meaning, and then in the Rosen, Mo Ren, purple angel and other people’s creation under the popularity, gradually produced in favor of the Chinese hobby of the metaphysical erotica creations. Such as “wind and moon continent”, such as “dragon warrior”. Also began to fight for the world as the main line of a round of network fantasy erotic creation.
To fight for the world as the main line of fantasy erotica, simply put, “wake up in charge of the world’s power, drunk on the knees of a beautiful woman”, every Chinese boy probably did this battlefield killing, beautiful women such as flowers dream. On the status of the high high, on the companion is more and more (men are slaves, women are harem), on the martial arts is invincible. The author’s sister, that guide me into the net novel world deep in the mud with “male romance novels” to summarize, although some mean, but also said the type of competition for male readers to target some of the special psychological phenomenon. The best ones are like Dragon Warrior and Wind and Moon Continent, and the worst ones are probably in the dead end of I Am the Archmage.
Early 2002’s I Am the Great Master can probably be described as a polarizing combination of all the characteristics of a brawling metaphysical erotica. Emotional narrative rough (five thousand words a love is not child’s play), writing can be called smooth but lack of aesthetic sculpture, the main character is incredibly powerful, the female characters (for the main character to be used on the woman) is also incredibly much. Summarize the full text of the author quoted a considerable number of foreign settings, the number of battles, the number of partners is also considerable, even the author can not memorize clear, but there are few in the author’s brain to form a classic picture, it feels very much like looking at numerous graphic novels of the scrapbook, and has not been pasted well ……
But for all its faults, there’s no denying a few things that I Am the Archmage proves: that quick postings can create high popularity, that a multitude of female characters and battles can temporarily mask a paucity of content, and that internet popularity has nothing to do with how good or bad a work is ……
The second half of 2002 to 2003 this time belongs to the precipitation period, there is no stone-breaking masterpiece, but I am a series of waves also gradually subside. Internet fantasy erotica, is to present a relatively stable situation ……
□ Reader characteristics and work characteristics of online literature:
Due to the Internet as a communication medium, plus fantasy and eroticism are very easy to be influenced by the outside world of new information on the subject, so whether it is compared with the traditional novels as a medium of communication of the small book A book or erotic wuxia novels, or other kinds of Internet literature, the Internet fantasy and eroticism literature also has a few different characteristics from other Internet literature, the next analysis is as follows:
Meanwhile, males make up the majority. In terms of occupation, students, military personnel, and freshmen in the society predominate.
Within the Chinese community, most of this group of readers have similar backgrounds: they have the time and money to surf the Internet, they have seen Stephen Chow’s movies, they have read Jin Yong, they are devoted comic book enthusiasts, they are sexually active, and they read mainly for pleasure and to generate pleasure.
Since the Internet is still a non-fee-based system, and there is no real revenue to be gained from publishing on the Internet, it can be said that the author’s response accounts for a large percentage of the promotion of authorship. Responses satisfy the author’s self-esteem and desire for expression on the one hand, and re-construct the work on the other (meaning longer responses that express personal criticism rather than tweets of support.)
Readers’ needs are not only the driving force that prompts authors to create works of metaphysical erotica, but also their interests and textual comprehension abilities, which also prompt authors to create specific forms and contents of their works. Coupled with the convenience of Internet communication, the influence of readers on authors is even greater. (Like the author to choose to see the article, a look at the author’s name, cover some of the author’s strength is guaranteed to carry on. Second look at the subject matter, if it is a fantasy class like a demon king went to snatch a princess back on the very enjoyable. Second look at the response, if the person’s response to the number of quite large or response to the number of words a lot, that probably the article is also quite considerable. An article that doesn’t get half a dozen responses must have something wrong with it. (Or it’s bullshit, or it’s a bookworm, or it’s self-absorbed, or it’s too pandering, or it’s a newcomer to the scene who hasn’t yet made a name for himself or herself, and the list goes on.) And some readers are talented enough in their own right to offer advice, work deconstruction, or even evaluative literary criticism. If CHARTER, if the white abused bear, if the small color turtle, the role of the reader is great! In addition to just to water the response, watching readers speculate on the subsequent development of the plot, provide settings, see everyone together in the cheek, for the text of the characters and the ups and downs of the mood shock, for the author’s influence is also great.
◎ Fast browsing and the rate of production of works: the current trend of metaphysical erotica seems to be starting to polarize, one is to stimulate the netizens as the only goal, emphasizing the coolness of the moment of the cool text. The second is a quasi-published text that aims to be published as a physical book and strives to sculpt the plot arrangement and textual precision. This seems to be related to the reading habits of today’s readers.
In the author’s habit of reading texts, a text is as fast as two minutes and as slow as five minutes. Other readers should be more or less the same. Therefore, the number of words in an article not only has a number of limitations, but also must be within a certain number of words to reach a climax and complete structure, in turn, this kind of reading is difficult to have how much fine ingredients in. It’s also easy to see “no deaths”, “it has to be a happy ending”, “we’ll refuse to read it if anyone dies”, and so on…. … (I am quite skeptical about this kind of request. If there is no death and the main character can’t be killed, then there will be no climax. Is it possible to write a good story this way? It’s a good thing that Alibaba Chronicles and Dragon Warrior weren’t brainwashed by this kind of requirement.)
So, there are more people who support just writing a good text. So, 3k text appeared. So, like Taiwan’s eight o’clock program, it’s okay to miss an installment and then read it again. It doesn’t seem to be a good thing, but it’s also a change due to the preferences of readers on the net ……
The influence of comics and video games: Internet fantasy erotica has a source of influence that cannot be ignored, and that is comics and video games. In Taiwan’s rental bookstores, most of the teenage comics, girls’ comics, then romance novels, and finally to the recent new wave of Internet literature. Japanese video games are sold all over the world, with millions and millions of copies sold, probably sinking countless so-called masterpieces of world literature. Although the two sides of the Taiwan Strait are not yet unified, it is the same to read Japanese comics and play Japanese video games. The influence of comics and video games can be imagined. The spiritual soil of fantasy eroticism is mostly from comics and video games.
Manga and video games are a treasure trove of brilliant plots and beautiful writing. Ministry of Education officials who say that comics are superficial and that video games are only for children’s entertainment should all commit suicide by swallowing tofu. (It is true, however, that five out of ten children who love comics and video games fail in school. (It is true, however, that five out of ten children who love manga and video games fail in their schoolwork.)
Currently, the main types of comics that have had a big impact in online metaphysical erotic literature are the following.
Hong Kong martial arts comics: works that have had an impact on metaphysical erotica are Fat Leung’s Legend of the Black Panther and Sea Tiger, and Yulang’s Legend of the Son of Heaven.
Legend of the Black Panther, The Sea Tiger, and The God of Wushu created a peculiar race of people, the “Strong Ones.”
“Strong man” their martial arts to reach a certain high realm, completely overshadowed the limitations of the number of people, can be a person into the country, can be a person to fight all over the world, to a certain extent, can be used to “seem like a god of the people”, like the Lord of the Rings there is a “white wizard” Gandalf, dragon gun “stupid mage” Fei capital to describe them. “To a certain extent, they can be described as “God of Humanity”, just like Gandalf the White Wizard in the Lord of the Rings, or Fei Capital the Foolish Mage in the Dragon’s Lance.
But unlike Western fantasy novels, where most of the divine characters are supporting characters, the “powerful” are the protagonists of the story, and they run amok and run amok. Another characteristic of the “powerful” is that they have their own special rules. Some of them are like gangsters, they respect the “strong” who can be their equals, and they can sacrifice themselves for the sake of “morality”.
Most of the “strong men” are fatalistic, but they are content with their destiny and regard women as accessories, but they value their promises and seldom do things like bullying the few with the many. Even if they have god-like power, “strong men” often fail because of their emotional weakness or the persistence of their self-beliefs. These are the qualities of “madness”, “arrogance”, “dominance”, and “style”, “strong”, “righteousness”, and the “self-awareness of the crisis that could have been avoided, but could not be avoided because of self-consciousness, and one must use one’s life to maintain the integrity of one’s beliefs”, are all part of a strong mindset. The strong man’s mindset makes up an image of a carnivorous beast full of manly masculinity, as if he lives for the sake of war and dies because of it.
Hirara himself often uses carnivorous animals to symbolize his characters. For example, “Fierce Beast” Bai Fei, “Great White Shark” Tendo, “Killer Whale” Oga, “Sea Tiger” Bai Junlang, and “Black Panther”. In the Black Panther biography is known as a strong typical, from arrogant arrogance to deep introverted Shenwu immortal …… and this image has also become a fantasy erotic novels continue to appear in the ideal man typical. For example, Jun Yan Huang in the Evil Legend of the Reverse Heaven, for example, the Angel of Death Dakshunaida in Dragon Warrior.
And as for Huang Yulang’s works, they bring strange world concepts. Martial arts can be united with technology (Dragon Tiger V), magic and martial arts can also coexist (Legend of the Son of Heaven), and the Heavenly Devil’s Kung Fu, which has almost become a must-have weapon for the Demon King ……
Japanese juvenile manga: Japanese juvenile manga range of the vast content of the depth of this article can not be summarized. Even the author of ten weekly manga weekly (including the kind of thin Hong Kong comics), can not be said to be a glimpse of the whole picture, only the impression of the small East of the “Legend of the Magic World” is the main source of inspiration for the Ogino real teacher’s “Peacock King”. The author’s “Silver Witch”, is inspired by Yano Kentaro’s “Spirit Warrior”, “Legend of the Evil God”, Wazuki Shin Hiroshi’s “Excalibur”, and Yuki’s “Angel Sanctuary”, and after that, it was more than the author reads manga running water a combination of finishing. Of course, not to mention the all-encompassing “Fung Zi Monogatari” and “Alibaba Chronicles”, you can see traces of the ingenuity of Japanese anime everywhere.
Video Game Setting: COLY’s “Rebirth of the Demon King” is the culmination of his work on “Super Robot Wars”, “KOF”, and countless other HGAMEs over the years. Half a Frog’s Dragon Warrior is inspired by Dragon Soul Calibur on PS. Breeze’s Mari the Gold Practitioner also came out of the video game of the same name. There’s also the infamous “Lance the Ghostbuster” ……
But recently by here in Taiwan, and the metaphysical erotica similar, easy to cite on the general characteristics of juvenile comics, but to give the author two bad feelings, one is the evolution of the drawing skills, and the second is the plot of the poor repetitive nature of the plot, which is complementary to each other.
In terms of evolution of drawing skills. Whether it is Hong Kong comics or Japanese comics, the recent evolution of drawing skills is very rapid. In Japan, there is a group of fourth-generation Japanese manga artists led by Mr. Nobuhiro Kazuki, and in Hong Kong manga, there is Ma Rongcheng leading the way, with strong players such as Fat Leung Wong Yuk Lang and others catching up. This is of course a good thing for manga, but for creators who like to absorb the essence of manga, there is an adverse effect. That is the strengthening of imagery and the weakening of text.
Because of the increasing sophistication of composition and the increasing control of drawing skills, the ratio of text used by manga artists is decreasing, and the use of drawings to emphasize tension and vigor is increasing. In the past, in manga, narrated text and spoken word were the main characters, and drawings were used to help the imagination. Nowadays, the effectiveness of drawings has surpassed that of words, and words are used as props to make up for the shortcomings of drawings. Nowadays, comics often use imagery to stimulate the reader’s feelings, and often a single picture contains hundreds of words to describe the meaning of the text.
Therefore, the ability of current authors to narrate scenes and create imagery to move emotions is low, as these are presented in images in manga and video games. The new generation of authors lacks this training.
How can we express, with words alone, the shock of the third episode of “Puppet Circus”, in which a page is turned and Narumi Kato is left with only one arm, as if the picture is about to be washed off the page? How can we express the passion of Darkness in “Sea Tiger 3”, which is only for one person in his life, using only words? How can we express the end-of-the-century battle of the blue nation in “God of Wushu”? The tension of the images rendered by Fat Leung’s unstinting use of continuous full blast? Rosen is considered to be the most metaphysical author who can paint with words, and in the “Perishable Star” of “The Story of Wind and Beauty”, he expresses in words the god-like spirit of “The Legend of the Black Panther” in which the god of martial arts will not die. But apart from Rosen, it’s hard to deny that there are still few authors today who are capable of painting with words. And if you’re a mediocre person like me, you shouldn’t just read comics, you need to work on your narration skills.
In terms of plot, go back and flip through it if you’ve been reading Teen Express. The Shining Duo and the pre-Ghost Eyes are probably the most obvious of this phenomenon. The Shining Duo is always about the protagonist fighting someone who jumps out at him, and then ends with a full-on close-up of the protagonist easily KOing his opponent. Ghost Eyes Blade, though it picks up a bit after Goyosung’s debut, early on is always about shouting, “Did you hear that kamikaze sound?” And when the plot gets boring, some new opponent pops up who seems to be strong, or a female character who comes out to shake her tits (forgive my unsalted portrayal.) It’s just a way of tricking the reader with beautiful drawings and the occasional breast-shaking older sister – the appendix at the end of the 25th episode of GTO contains a strong critique of this phenomenon, and it’s a must-read.
And look at the current metaphysical eroticism, often jumping “fighting”, “put the horse”, “bed”, “new characters appear! “The endless waltz, if now the wind and moon of the dying old man, dreaming of fat dragons, if the lamb of the phoenix talent fantasy, even the author, coly himself, but also often into this kind of situation and do not realize. Silver devil chapter eight three months ago had to recycle and remake, still difficult to produce, and now busy collecting line wiring of the magic sky pale sky. This inevitably makes people sigh the inevitability of imitation is always first imitated to the shortcomings of ……
◎ Setting: Compared with general erotic creations, online fantasy erotic literature has a feature that other types of creations do not have, that is, the setting. This includes the background of the world, the laws of the world’s system of operation, the environmental situation and so on. As Rosen said, the setting should allow people to create a world on their own from it, and then be sucked into the distorted worldview and be unable to extricate themselves from it. Rosen’s settings are all-encompassing, from the south of the world to the north of the world. Huang Yi’s setting has the fun of spoofing history, tipping the scales in the general direction of what has already been established. Half a Frog’s setting is rigorous, with very few errors that can’t be justified (although the presence of the Thunderbirds makes it unlikely that Dak will be able to move covertly, and the cover is full of scouts to carry on. However, the battles are generally written in the ancient Roman square battle method are moderate.) , all of which can be considered good for the setting.
In my own case, once I read an article about a setting and see what magic is divided into several lines, what is divided into elves and orcs and dwarves, and how corrupt nobles are eventually overthrown by commoners, I will feel the urge to turn over my computer desk. I’ve always been a setting fanatic, but there are still some settings that can make me instantly turn gray after reading them. That’s what happens when a setting doesn’t work.
One can’t help but admire Little Japan here. Whether it is like the space warrior series that sells millions of sets of works, or like the “moon scar”, “Hazuki city”, “magical girl warrior love”, “holy magic wars” this only intends to sell 30,000 or 40,000 sets of niche HGAME, the Japanese people write up the setting is a hundred flowers to compete with each other, and the ocean. Certainly also a large number of references to mythological and legendary allusions, but their world structure is really solid, a on their formula website, open to set up a dozens of pages at a time, and even the game did not do the part of the structure, which is the king of the setting ah. If any of them can’t do it, they’d better take some of those little Japanese games and go home and worship them.
Today’s metaphysical erotic setting is to take the medieval fantasy route, sci-fi future route only YES99’s “warring galaxies”, fantasy “lust fire phoenix”, the emperor extreme birth of the “angels do not sleep in the city”, put the era in the modern era is probably the “demon king reborn”, “chi fruit”, the formation of a rather special phenomenon. Probably because in the Middle Ages can be written as a story of hegemony. Just everyone is written into the ancient fantasy, inevitably some of the meaning of the mystery of the omnipotent can not be lost, but also can not play the setting of the novelty of the feeling of prominence.
If the author’s personal point of view, rather than all their own hollow, or better to maintain three real better. The mystery, but also in the creation of everyone to savor.
However, according to the author’s own results of playing the setting, the setting is a kind of thing that can suck out the author’s creative energy. Playing the Demon King Rebirth series to today, the silver devil and the five sides of the word count is only about 300,000 (about two books each), can not be disclosed setting and chronology has been written to be 80,000 words carry on, and also in the unrestricted expansion. If not for the running water to take over the generation of typing, perhaps today the silver devil in the Belle will really disappear.
Perhaps something like a Rosen Fiddler Jade style of writing, with one to two main writers at the center of it all, alongside a few advisory boards that integrate and come up with ideas, might be a solution.
Cosplay: Cosplay is the act of dressing up as a particular image from some anime or manga. But it’s amazing, people will always have a strange sexual desire for some special image, so the adaptation class can be never-ending. In the author’s opinion, a major feature of fantasy erotica is to show off one’s costume design talents and play with COSPLAY variations. And it is easy to become homogenized in the erotic picture into the new ideas. At the same time, it is also easy to strengthen the reader’s impression.
For example, when I think of Jianghu, I think of horseback riding sweatshirts and belly bibs; when I think of Dragon Warrior, I think of the Dragon Warrior transformation that can be used to attack in multiple directions at once; when I think of the eighth episode of Alibaba, I think of Asuka’s wobbly foxtail; the most shocking thing about Red Pupil isn’t just the dark finale, but the bestial role-playing that human beings have been humanized; and even the privately under-appreciated Malfacca continental heroes, read in the author’s design of the whole body coloring and garter clothing is quite creative enough gimmick, it is also so much more a point of tenderness and generosity up.
◎ Empathy (EMPATHY): In the process of reading works, readers will often resonate with certain characters in the works, identify with them, and even put their own emotions into the works, resulting in the flow of the mind and emotions with the story and the ups and downs of the phenomenon that is “empathy”. In martial arts, fantasy and fantasy erotic works which are regarded as masterpieces, one or even more roles that can produce empathy are often deliberately created. And because the readers of fantasy erotica are mainly unmarried men with strong sexual desires, these characters are often beautiful young women. Dragon Warrior” in the Anda, Cayula, “love Yuriel” in the Yuriel …… such as the “Tang Double Dragon” has embraced the Shi Feixuan and embraced the “female officer” of the two factions of the war, the “Windy Story” has also triggered, such as “Liya Conspiracy theory”, “Feng’s end should not be euthanized”, “Fenghua, Ziyu, Leah who is worthy of the wife” of the heated debate. It can be seen that the ability to create similar empathetic female characters is an important indicator of the reflection and popularity of the work.
Generally speaking, there are the following main ways to portray a character who can generate a sense of identity. First, she must have qualities that are appreciated and accepted; (e.g., Shi Feixuan, who is known as the Fairy in “The Legend of the Two Dragons,” has an image of holiness, and similar examples probably include Xiao Longnu (Little Dragon Girl) in “The Divine Eagles and the Warriors,” Anda (Motherhood Symbol) in “Dragon Warrior,” and Chen Lu, the first female character in “Playing with Dragons and Spring.”) Then there is the image of realism, which must make the reader feel like a real person and is quite pleasing to the eye. (For example, the “female official” in “The Legend of the Two Dragons of Datang” is a bold, evil, coquettish, and delightful “demoness” who jumps off the page. Similar examples include the pretty Huang Rong in “The Shooting Eagles”, the standard Chinese wife in “The Book of Deer Tops”, and the silly fox girl A Xue in “The Chronicles of Alibaba”), or a sympathetic background (the desolate and unyielding Feng’er, the inhuman and yet adoring Oda Kaori, and Oda Zhi and Fei Hong in “The Chronicles of Alibaba”), or a mix of many kinds of characterization (e.g., the most popular character of the author’s book, Dragon Warrior). Dragon Warrior, the female dark dragon Kayura, who is the author’s favorite, Yuri from Love Yurielle, Kujo Darkmoon from Harem Academy, and Yumi, who is the essence of what I privately believe to be the best of the best in Yu-Gi-Oh.) .
It is very difficult to create such a character. First of all, she must give people a sense of beauty, so it requires a high standard of words and phrases to give her “beauty”; secondly, to create a likable image and arrange a touching background, it also requires excellent screenwriting skills and narration skills, and it is not the case that the author can provoke readers’ “empathy” just because she has self-awareness; furthermore, it takes time and scenes for the character to develop to maturity and exude charm, and even the best at making a character shine often requires more than 100,000 words of layout. Secondly, to create a likable image and arrange a touching background requires excellent screenwriting skills and narrative skills, and it is not possible for the author to provoke readers’ “empathy” just because he or she is conscious of it.
All of this is a test of the author’s ingenuity and craftsmanship. The techniques used by various authors to create such characters will be mentioned again in the following examples.
Spoof, or KUSO: A kind of creative method that takes advantage of the common cognizance between the author and the reader, and uses various techniques such as imitation, copying, and distortion, so that the general reader will only think that it is an ordinary plot, but certain specific readers will have a unique sense of joy and a smile. This is a technique that is often cited in the current genre of fantasy erotica. Or to describe it in terms of traditional literary criticism, it can barely be described as “symbolism” or “innuendo”. However, “spoofs” themselves are mainly based on things with a wide range of circulation, such as cartoons and comics, TV movies and dramas, and their meaning is focused on making people laugh. It can be said to be a kind of language art that can only be deconstructed by specific objects.
For example, the name of the Bear Clan’s young lord, Bai Lan Xiong, who makes a big appearance in the second section of episode 7 of The Chronicles of Alibaba, is a spoof in its own right. (Using a homophonic name, he jokes about the “White Rotten Polar Bear” of the Moon and Wind website.) The martial arts he uses are: “Platinum Fist”, where he throws quick punches while shouting “Ou-La-Ou-La”, and “World Fist”, where he throws heavy punches while shouting “Worthless”. The “Fist of the World” is a classic image from the Japanese manga “JOJO Adventure Noro” (or The Amazing Adventures of JOJO). And a few of the special lines and nouns that follow are out of famous lines from Hong Kong comics. (“When one can master the Platinum and comprehend the world, the user will be invincible” is adapted from the secret of the Sword of Hell in the Hong Kong manga God of Wushu: “Love is the only thing that will not be destroyed after the end of time” is adapted from the book “Soldier of Fortune”: “Arctic Xiongba” is probably out of the comic book “Wind and Cloud”, as for the young master of the Panther clan that said half of the “look at my golden panther ……” why I always think of “Black Panther” in the that will always be only (Why do I keep thinking of the golden panther in “Black Panther” that is always under the old man’s father…haha…) General readers will probably only think that it is a normal fight scene, but readers who have seen those works will imagine some classic scenes from other works from the author’s hints, which will then give rise to a wide range of emotions such as amazement, disbelief, absurdity, and amusement.
However, the spoof itself is a difficult technique to use, and the form needs to be constantly changed because it is a lot of quotes and lines that have been used in the past, and then deconstructed to give it a sense of joy. If one is not careful, it can easily turn from a spoof into a “cliché”, “frivolous”, “unintelligible” situation. Successful ones, such as the second section of the seventh episode of “The Chronicles of Ali Buda” mentioned just now, even if the reader does not understand the author’s hints, it is still a martial arts fight scene in itself, which can be described as a hot-blooded and brilliant one. And those who see the hints add to the fun because the lightheartedness of the spoof is similar to the gut-wrenching sensation of Hakuranio when he’s on a rampage. The type of failure is probably something like “I’m a Great Mage” or my failure “I’m a Great Scrapper”, where a lot of ACG terms are piled on, but there’s no way to create chemistry with them. Or “Heroes of the Malfaka Continent”, where the atmosphere of the spoof doesn’t blend with the atmosphere of the writing at the time.
□ Appreciation of the work and introduction to the author:
There are a few things that need to be made clear to you before the actual appreciation of each masterpiece:
Due to personal personal preference and work habits, coupled with the original is to select their own personal preference of works to enjoy, so the introduction of the author’s work is mostly to giant beans, wind and moon system. (Lamb a while ago when the machine is too long, Wuji is because fewer works of metaphysical works) plus this article is just a guide, incompetence and will not write into the “heroes list” or “book of recorded ghosts”, so the choice of material is only focused on the metaphysical class or selfishly think that the metaphysical class close to, can be used as a mirror works. The work of the mirror, at the same time, inevitably have the risk of missing a million, I hope that fellow culprits.
As for such as white paper, although there are also created metaphysical erotica such as “obscene magic holy stem”, but in the depth of the article, the existing amount of manuscripts are not as good as another work of “functionality”, so when I discuss, the focus is still concentrated on “functionality”. And JOJO Nao Lang’s “Against the Sky Evil Biography”, although published in the name of martial arts, but the creative techniques and the source of the content are close to the metaphysical, so I intend to join the discussion.
Appreciation of the work, mainly on the “short review”, “content outline”, “character personality”, “writing skills”, Characterization”, “Writing skills”, “Specialties”, “Emotional flow”, “Thematic significance” and so on. To plot fullness, outstanding characters, beautiful words, strong emotions for the top. However, it should be emphasized that this article is intended to be an appreciation, purely to put forward my personal bias, subjective ideas, and make me pay attention to the characteristics of the main purpose is to hope that the benefits of the work itself can be more people to understand, and to allow readers to have a different point of view to appreciate the work. It is not the author’s intention to grade a work, or to criticize it, or to say what will make it a great success, as in “evaluative literary criticism. The author’s aim is to state his own opinion.
The works that I have analyzed include some of my predecessors who have long held up the sky, and some of my juniors who have risen to the top, and I do not intend to make a hierarchy in the order in which they are ranked, but rather write purely on the basis of spontaneity. So, please be patient and read on.
◎Manyu (Amoeba), “The First Draft of the Prequel to the Continental Styles”, “Lillian’s Journey”, “Sakurazuka Opera House”, “The Chronicles of Arributa”.
“This day I have been able to see the wealth of the temple and the prosperity of the hundred officials.”
I don’t think anyone could argue with calling The Arributus Chronicles the grand finale of online fantasy erotica. On the one hand, it influenced many of the works that followed, and on the other hand, it sold a lot of copies, which sustained Chromatica Publishing and gave the subsequent works a chance to become physical books. On the other hand, it is so good that even the author, who loves to say good things but seldom buys books, couldn’t help but buy a copy.
Praise or criticism of the “Alibaba Chronicles” of the text has been too much, “content outline” I believe that everyone has been very clear, “Alibaba Chronicles” in the black heart bitch to break into the world has also become a countless “Ali Douji”, “Arica good” and so on the object of imitation, the character biography is also very much, so here I do not have more I’m not going to talk much about it here. Only on the characteristics of “Ali Buda” to analyze separately.
The Chronicles of Ali Buda was rated as “Kingly” by the Decameron of that year. According to the author’s analysis, there are at least the following special features of The Chronicles of Ali Buda.
Rich characterization. Characters have growth.
For another author whom I also respect quite a lot, Black Moon, I often have this thought: if Black Moon can put the influence of Huang Yi’s “Great Swordsman” completely behind him, if Long Kuei can forget about the ambition of building up a harem, if the story focuses only on the depiction of Long Kuei, Toyotomi Kaoru, Witch, Long Qingmu, and five or six other people, the “Pirate’s Family Snatching Career” can definitely improve the character’s fullness, and can definitely show the character’s More oriented. Unfortunately, Black Moon just can’t break through this bondage.
On the flip side, though, the author can fully understand Brother Blackmoon’s plight. How can he be made to suffer for a character he has worked so hard to conceptualize? How can you make him do that kind of not-so-tangible action? How can he be made to suffer? Even if he has to do it, it has to be a magnificent one. But then the story can’t go on, so we have to let someone else do the work. The protagonist is as stable as Mt. ……
As a result, while the author has a good time and the reader has a good time, the limitations of the story come out. Sometimes authors are so caught up in their characters that they tend to limit the fullness and potential of their characters, which is a pity but a shame, and a pity that love can be detrimental.
As for the characterization in the article “Alibhuta”, I can only say that I am amazed at the strength of the. It’s not a class level! It’s not a class level! He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating empathy, so that readers can have compassion and love. He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating empathy, so that readers can have compassion and love. He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating empathy, so that readers can have compassion and love . He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating He is good at creating empathy, so that readers can have compassion and love . He is good at creating empathy, so that that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating empathy, so that readers can have compassion and love He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He rarely thinks in a He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He rarely thinks in a which He rarely thinks in a He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance”, which He rarely thinks in a single mind He is good at creating empathy, so that readers can have compassion and love, and carefully maintain the ” beauty distance “, which He rarely thinks in a single mindset, and being a bad guy is never inherently He rarely thinks in a single mindset, and being a bad guy is never He rarely thinks in a single mindset, and being a bad guy is never inherently obscene, but being a bad guy is never inherently obscene. He rarely thinks in a single mindset, and being a bad guy is never inherently obscene, but rather, bad guys have He rarely thinks in a single mindset, and being a bad guy is never inherently obscene. He rarely thinks in a single mindset, and being a bad guy is never inherently obscene, but rather, bad guys have bad guys’ justice, bad guys’ justice, and bad guys’ justice. rather, bad guys have bad guys’ justice, bad guys have bad guys’ thoughts, and everyone has their own set of values in life, and like real people. in life, and like real people, they have their own set of values. in life, and like real people, they have their own impulses or perversions, which creates a sense of realism.
John Farrell, the protagonist of The Chronicles of Arributus, is as selfish as he is capricious, and his actions are no less vicious than those of Dark Moon’s villainesses, such as Dark Moon in the Harem Academy and the Pirate’s Witch, but in terms of comprehensiveness, John Farrell is much closer to the true nature of human nature, More comprehensive. He’s confused, he’s kind, and he says that he wouldn’t have played the game as badly as those guys did. Although later by his style of behavior, John he definitely definitely than those people played more extreme and more poisonous, may be like his good friend Basho, after the end of the value of the use of the destruction of the body. But in those moments, such as his sympathy for Ozeki, John’s “I don’t even know why I’m doing this.” in Episode 7, Chapter 2, or his recklessness in Episode 8, John’s “I don’t even know why I’m doing this.” And his desperate wish for a second revenge in episode eight. What you feel is so real. John “Shinji” Farrell is no longer just a figure of speech, but a flesh and blood human being.
In addition to the main characters, Aributa Chronicles spares no expense in fleshing out its female characters. The female characters are fixed to be the main character at each time, and the settings are also very rich. The settings that are usually used as the main characters in “Chronicles of Alibaba” are just excessive characters like Yu Hong and Zhi Zhi, in the words of Liao Yu, “each character has a time to shine”, and the background of the past has been arranged so that they can shine. As for the current number one female character, Xue, Lanyu uses a constant evolutionary approach to portray her over and over again. From the noble and indifferent holy maiden at the beginning, to the naive and silly fox chick, to the dark mage who has seen the darkness of the world but is determined to guard all things in the spirit of goodness, with the essence of goodness unchanged, one turn, two turns, three turns, layers upon layers, layers upon layers of molding. This should be a pure love school will only use the portrayal method, in the metaphysical erotic works at present only fear or unique. But the results are also undeniable, even the picky author has to say that Asuka’s portrayal is quite beautiful, exuding charisma that does not lose to John Farrell.
Another thing worth noting is the use of idle penmanship in Alibhuta. In addition to storytelling, I think it is important to focus on the use of imagery. I think that’s a very important thing, because literary words have the ability to create what is called “imagery”. His focus is to make your mood fluctuate and adjust to the state suitable for the subsequent plot. For example, writing about a bamboo forest gives you a sense of deep silence, writing about a starry sky gives you a sense of loneliness and openness, or like the ever-repeating sentence in the manga “ARMS”, “Want power?”, or in the cartoon “Neon Genesis Evangelion”, “The New Age of Evangelion”, or in the movie “The New York Times”. or the recurring line from the cartoon ARMS: “Want power?”, or the recurring poles and empty train cars in the cartoon Neon Genesis Evangelion. On the surface, these narratives may seem dispensable, but they unconsciously and subtly change the mood of the reader, often influencing the tone of the thousands of words that follow. The academics call this “idle writing”. The academics call this “idle strokes”, and Jade is a master of the “idle strokes”.
For example, in episode 4 of The Arributus Chronicles, John Farrell recalls an interaction with his father, Gendo. The segment doesn’t seem to have much to do with the direction of the episode, and it seems that most readers only see it as a spoof of EVA’s famous scene, but the tone of Gendo Farrell’s indifference and disdain for his son is retained throughout. I think it resonates so well with male readers, recalling the psychological damage of facing patriarchy, especially when pressured and treated with indifference, that when John Farrell finally starts to explode, the uplift readers feel is heightened. This is one of the high points of the “spare pen”.
The reason why many essays are discarded by academics, and the reason why Internet Knight’s “I am the Great Master” has become a public enemy, is that the lack of characterization and atmosphere is the fatal injury. One of the reasons why “I am a Grand Master” is often criticized is that “5,000 words are written about a female character falling in love with the protagonist”, which results in no character image, lack of identity, and no female character that can generate “empathy” and other weaknesses. However, if we put the point of view to most of the current works of metaphysical erotica, in fact, most of the authors, also tend to write love in a similar situation. Only those smarter authors know to refine the words to strengthen the beauty of the text, with the idle pen to brew the atmosphere, unlike the “I am a great master”, always “looking at Wu Lai’s face full of vigor, so-and-so thought that he had fallen deeply in love with him.”
If “American Girl Warrior Prequel”, the number of words used to write the love process is almost 5000. But SUNARY is very smart to arrange the scene, to create an environment that can easily make both men and women’s feelings rubbing off on each other, coupled with the fact that the Jiba guards have contact with the female characters early on, it is very light to bring the feeling of love over. If “The Chronicles of Alibaba”, when Liao Yu is going to arrange for the escalation of emotions between the two sides, she will always allow both sides to have close contact and moments of heart-to-heart, supplemented by the melancholy and sympathy of John’s own inner drama, emphasizing John’s male desire for exclusivity, macho manhood, and one or two impressive speeches. Create a dry atmosphere. Make it easy for the reader to automatically rationalize everything that doesn’t make sense. For example, in the second episode when John said to Yizhi, “I’m your husband, no matter what, I’ll let you win”, most readers will rise up the ambition of a good man should be, and forget the irrationality of love born of adultery. For example, in the fourth episode, when John patted Asuka and said, “Good boy, the master loves you,” I believe most people will unconsciously think that John really is a perfect match for Asuka, and Fang Qingshu had to go to the side to drink tea. And completely forget that Fang Qingshu is actually a good egg.
If you look closely, you can see that when she writes emotional scenes, she mostly writes beautiful words and phrases, using a lot of beautiful or sweet words and phrases to create the feeling of being in love, and to minimize the conflict of the dark side. And there is very little repetition. The beauty of the writing and the “spare strokes” at the same time can naturally wash away many of the implausibilities in the setting and plot. The writing in Alibaba is actually very beautiful. Although there are a lot of spoofs and the story often has a dark direction, most of the words and phrases he uses are beautiful and delicate words, which are used to buffer the darkness of the story. “Beauty” is the fundamental reason why a creation is more than just storytelling. Aspiring writers should never lose sight of beauty.
Then, there is the creative method of drawing with words. I have always thought that the writing method of Lanyu is to use the pen to draw caricatures. When she writes about beautiful women, she first writes about the style of clothing, and then writes about the size of the body and the skin, creating a fleshy and voluptuous image. For every scenery, every scene, Lanyu must be careful to depict it. His erotic writing gives the author the feeling of watching an A-manga, except that the action, the picture, and the state of mind are all inked, showing a female-like slenderness. This is the degree of “painting with words” that can only be achieved by spending a lot of time on refining words and practicing white drawing, which I think is the “unique beauty” that makes Lanyu Lanyu.
As I’ve said, “This day I get to see the wealth of the temple and the splendor of all the officials.” Savor The Chronicles of Alibhuta and you’ll find that beyond the sensational protagonist and the occasional spoof images, lies what may be the most beautifully crafted, beautifully written words betting on metaphysical erotica to date.
◎ Half a Frog, Dragon Warrior.
“Dark Angel’s Feathered Experience, Growing Heroic Poetry.”
Among the creatures created by the gods, humans were the most fragile race. There was no strong flesh of the Orcs, no magical talent of the Elves, no perfect omnipotence of the Demons. Humans only possessed creativity. But through creativity, humans combined the intelligence of humans with the power of dragons. Humans created the most powerful creatures of all, creatures that even the gods would fear and curse – the Dragon Warriors”! Seven Dragon Warriors created the Wind Kingdom of mankind, passing on their wisdom and power to a new generation of Dragon Warriors.
Now, the focus of the era falls on a new generation of dark dragon warriors, Dak-Shunaida. The story begins with a sensational flashback in which the protagonist, who has become famous throughout the world but has lost all his powers due to a strange disease and is about to be executed by the emperor, recalls the past of a young man whom his father described as “either a hero of the continent or a corpse on the execution table”…. …
Half a Frog belongs to the category of authors who use their labor among metaphysical erotica authors. According to him, because of self-requirement, he repeated the article three times within half a year before completing the current version. The amount of effort expended cannot be said to be small. But the result is also quite fruitful. The revamped Dragon Warrior is not the kind of article that possesses unique genius, wins with real fiery emotions, or is written because of sudden inspiration; rather, it is a good article that has a holistic approach, with very few flaws, and the main line is laid out in an extremely robust manner. The formula for the King of Kings and King of Fighters genre taken to the top is probably Half a Frog’s Dragon Warrior.
Detailed and still plausible background of the setting. Rich knowledge of military history. These two points, perhaps, should be said to be one of the characteristics of mainland authors generally better than Taiwan authors. Simply in terms of a fantasy novel of the battle for supremacy category, “Dragon Warrior” is also above average in standard. With its own set of complete historical and mythological background, the Dragon Warrior’s heritage is also very well organized. The first three episodes of about 200,000 words are devoted to building up the worldview, and then once Dak-Shunaida starts leading the battle, it lets the half-frog get into what he does best. And the seven consecutive episodes of the battle of the guts, life and death exchanges, Dak’s contempt for the meaning of war, and the continuous cruel decisions of the celestial war, but also for the Dragon Warrior to add a few points of the magnificent colors of war.
The characters in Dragon Warrior are quite three-dimensional, and the sense of realism is far more rounded than that of an unusual Taiwanese author. The appearance and speech of the characters are shown in the reader’s mind. In terms of character design, Dakshu Naida can be said to be the one who leads the reader along in pushing the story forward, the protagonist, and the one who keeps transforming along with the story. From being lighthearted and ignoring all norms, to being the head of an army burdened with responsibility, to beginning to rise up with the idea of retiring to the mountains and avoiding the world, to finally becoming the adult he hates the most by himself. Perhaps the Dak of the first episode will see the Dak of the twelfth episode and love to hate him as much as he loves his father.
Of course, due to the hegemonic fantasy’s penchant for harems, Dragon Warrior is not immune to running into the problem of too many female characters. Most of the female companions are tragically portrayed. While Anda is the current example of the Madonna type in Dragon Warrior, I always thought she died a good death and caused me to dunk with quite a few of them. As for the author having great ambitions for her, and I know she’s strong and beautiful as Princess Kisaragi, the author is currently on the fence.
I’m more interested in the enemy side of Dragon Warrior than the friendly side.
The many brightly colored enemy characters are also a good thing about Dragon Warrior. The “I am the Archmage” genre is often guilty of reducing its opponents to such imbeciles that they all seem to be idiots plus three, thinking that this will emphasize the protagonist’s invincible spirit. Woohoo! Bullying millions of wastrels and breaking tens of millions of fools is at best just like being the king of a bunch of losers. To show the luster of victory and the brilliance of the protagonist, there must be enemy characters who can correspond to the protagonist. Wellington Yew has to defeat Napoleon to have his stature. Mahabharata had to defeat Yang Xuan Gan to become the closest man to Buddha. And Dak-Shunaida, of course, needs to have Sroo and Cayula in order to show the extraordinary nature of the Dark Angel.
Kayura is a character that I really like. I see the “female officer” in her. She’s strong, confident, knows what she wants, and doesn’t get carried away by love. She’s attracted to the main character, but not so much that she’s out of character, and so far she’s on par with Dak. This is the kind of woman who is qualified to compete with a man! Now that’s a female Dark Dragon not unlike the Angel of Death. And the parting of ways with Dak-Sunaida in the last 12 episodes, in addition to appropriately preserving her personality, also gave the protagonist a good dose of what he gave Kayura in episode four. That’s the kind of lucid woman Kayura should be! Well done!
Slough seems to be set up as Dak’s mortal enemy for life. In terms of dragon warrior dragon power, he is a green-toothed dragon that specializes in eating dragons, and in terms of attributes, he is a light that specializes in dark dragons. In terms of status and talent, he also has a tendency to override the protagonist. Half a Frog’s narration of Sro, in addition to not being able to tolerate Cayula, almost no derogatory words, calm and sophisticated Sro also shaped the image of no less than Dakshunaida. And the other demons are not badly captured. They are not just enemy generals, but also characters with loyalty and intelligence who fight to defend their homelands. Among the metaphysical erotic literature, Dragon Warrior’s Demons are probably the most positive.
The Battle of the Broken Back in Falling Moon Canyon is arguably the climax of the story so far. The death of the Virgin Anda, the descent of the angels, the transformation of the Dragon, the transformation of Dakshunaida into a more rebellious young man and so on. The subsequent invasion of the Demons may be due to Dakshunaida’s personality change, but there is less of the fiery passion that was there at the beginning. However, in the battle, strategy, character’s personality to grasp, can feel more and more mature and sophisticated, it seems half a frog to create military history type of literature is his line.
In a word, Dragon Warrior, recommended by the author, belongs to the best reference model for budding authors.
◎ Breeze The Alchemist Mary
“Welcome to Desire Heaven!!!”
That was the first thought that came to my mind when I watched the entire episode of Marie the Alchemist. It’s like having a ripe, juicy peach in front of you, and when you bite into it, all that spreads out is sweet, delightful juice. It’s one of the few works that the author favors that is happy, lively, and sweet from beginning to end until the end.
The theme of the story is very simple: a female alchemist, Mari, uses all sorts of marvelous and special props to create her heavenly kingdom of indulgence. Basically, this is an adaptation, the story background and characters are directly transplanted from the computer game of the same name, however, in terms of connotation and characteristics, it is not bound by the original work at all, but to create a new life of its own. Even if you haven’t read the original game, you can still enjoy the essence of the story. It is a gem of the adaptation genre.
Mari, in the entire text, is the “goddess of lust” that spans the entire story. She is like Kama, the goddess of love in ancient Indian mythology (not to be confused with Kama, the man-child of Dragon Warrior), who can be male, female, or both, and spreads lust wherever she goes. With her best friend, with the cute little girl she meets on the side of the road, with goblins, with women, with demons, with queens, she brings blissful orgasms to them and to herself. The purely comedic route might seem like a monotonous plot when placed in a longer book, but Breeze uses the mission style, small short story collection writing format. At the beginning, the main axis is determined to be Mary’s happy and fulfilling erotic life, so there is no burden of the main plot line, most of them are one chapter is a paragraph that can stand alone, and the longest is not more than three chapters, so each time can be one climax as the end, breaking quite cleanly. And it’s easy to read. It’s a good route to emulate for authors who aspire to take the comedy route and don’t want to mistreat their protagonists.
In terms of textual technique, Breeze he has a very distinctive characterization of idiomatic expressions. He hardly ever uses offensive phrases, and even sadistic sex emphasizes pleasure rather than pain. Although he writes rich and varied erotic images, he writes very sweetly, one might even say showily, even about the heaviest of the tyrannical categories, pregnant women fucking. “Let the baby in my belly have a taste” “I want to monopolize your ****”, this kind of foul language, but in the arrangement of the breeze, but can give the author a “love overflowing” feeling. The wind is arranged to give the author a feeling of “overflowing love”.
Together, these combined into a heavenly world created by Breeze. The strong functional beauty, the sweetness so thick that it can’t be melted, surges so much that it almost drowns one. What the author appreciates most about Breeze is that he has molded a heavenly world of desire. A paradise where “people are naturally united by instinctive attraction”.
There is no pain, and fertility and pregnancy are not, as in Odin’s work: “Wicked”, an expression of the man’s dominance and superiority. Rather, it is a ritual used by the woman to express her love and happiness. The only thing that awaits at the end of sexual intercourse is orgasm and the sea of happiness, and that too is pleasurable and comfortable, unlike some Japanese works that use female pain as the main stimulus for male readers. There is no death, there is no picture of killing a man in five steps in general metaphysical works, and the only written death – the death of the old king even carries some comedy feeling. There is no pressure, no burden, while it can be easy to keep reading and keep the heart at a refreshingly soaring height.
A large number of writing hybridization, women of both sexes, incest and so on should be quite easy to trigger subconscious revulsion of the H theme, but Breeze is still able to give people a sense of relaxation and enjoyment, which is probably the reason why Breeze is Breeze. This is probably the reason why Breeze is Breeze. Therefore, I regard this work as the most suitable fantasy erotica to start enjoying.
◎White paper “Succubus Sacred Stem”, “Functionality
“The giant man, the beautiful girl, the old man, the teenager who was laughing one moment…all it takes is one drop of poison and the next moment it’s all smoke and mirrors…that moment full of hazy beauty is the sweet temptation of the devil!”
A deep black, eye-catching and seductive, highly toxic ink. This is the most fundamental color of the author’s white paper in the work. It stains every character in the work, and it stains the mood of the reader. While marveling at the author’s ability to write ugly negative feelings so “beautifully”, I can’t help but feel chilled from the bottom of my heart.
White Paper’s themes range from modern to medieval, but they still have something in common. Hatred is the main driving force behind the flow of the story. The alienated protagonists are vengeful spirits from the underworld. This is true of both The Crown and The Succubus Stem. The protagonist of “The Crown” was originally an ordinary son, but his stepmother took away his family’s wealth and status, and sent him to a black prison to suffer brutal sexual abuse; the protagonist of “The Succubus’s Holy Stem” is even worse, transforming from a great knight of the continent into a piece of lustful, poisonous meat with only a sense of hatred left in his body. The protagonist of “Functionality” learns the skill of mind control in the black prison, and after transforming his body into a beautiful woman, he takes revenge by molesting the siblings born to his stepmother; the protagonist of “Succubus’ Holy Stem”, motivated by the hostility after being transformed into a piece of meat, parasitizes the offspring of his enemy, and prepares to single-handedly destroy the kingdom established by his enemy. ……
In terms of “thematic significance”, White Paper’s works all end up being hollow and broken. The protagonist of Functionality, Monroe, who seems to be the incarnation of the Indian goddess Kali, the goddess of revenge for sexual desire and death, takes revenge for his family as the basis for supporting his self-righteousness, but he doesn’t know that the object of his revenge is his sibling, who shares the same bloodline with him. The author just finished reading that paragraph will only cover the book sigh, Meng Luo’s struggle is already destined to be an unsolvable dead end. Succubus Stem” on the performance of only being possessed by the woman fell, but a paladin into a piece of lewd meat, not long ago is broken? But perhaps it is also because of this, because I knew that all the final hollow broken, so I continue to read, only has been to Meng Luo, the female catty Yung as a hint of understanding and tolerance it. Otherwise, the white paper of the text is really repeatedly challenge the author’s mental strength ……
Different from the general works of metaphysical eroticism that deliberately create empathy, White Paper boldly adopts another technique, the open-ended psychological narrative. Generally speaking, the point of view in writing is mostly omniscient (as in the case of Wind and Moon Continent, which has the advantage of smooth narration.) Or first-person point of view (e.g. The Chronicles of Alibris, Dragon Warrior, the advantage is that the protagonist is the only point of view, which is strongly contagious). White Paper, on the other hand, uses both, switching viewpoints from time to time while narrating from the spectator’s perspective, and digging in from the perspective of the tweaker and the tweaked. This is a skill that tests the author’s ability to master the character, and it’s quite difficult to describe the twists and turns of Gai’s heart, which can easily lead to discrepancies between the before and after descriptions. However, White Paper is smart enough to use “mental manipulation” as the theme, and makes extensive use of split-personality narration, so that the crisis becomes a special effect instead. Take the protagonist as an example, White Paper has given him several different personalities: the confident and evil S-girl, the functionally poisoned M-girl, the teenager with the fear of being castrated at the end of the bullying syndrome, and the cold and confident white-masked man who belongs to the rattlesnake character, and switching personalities at the same time by switching the point of view at every time. So although the main character has many personalities, it’s not confusing to read. (Of course, it’s still a bit confusing compared to the usual works with a single point of view, but it can be considered as a feature of the book.)
And in writing the object of tempering, white paper habit to gradually reverse, diary-style narrative personality collapse. The first episode of the dream Luo, female catty Yung seduced Xiaoyi Xiaoting, the fourth episode of the white-faced man on the visual rape of Fang Yun tempering taste is not too spicy, teasing effect and first-class, very suitable as a model of reference for the type of works of tempering. The next part of the human body modification is to measure one’s acceptance level before starting. The section on body modification can be considered the essence of White’s erotic writing. White Paper keeps emphasizing the destructive and irresistible nature of sex, using almost brutal words to bring out a tyrannical beauty in the ugly images, piling up a White Paper-style hell of joy. For example, in Succubus Stem, watching the woman possessed by the protagonist demonize and deform little by little will naturally give rise to an image of lewdness and horror mixed into one.
Beautiful words, as if sugar-coated and wrapped in aggressive imagery, I think this is White Paper’s specialty. White paper’s emotional flow is always characterized by a sense of hatred, only the obedience brought by pleasure, without any room for love. Another thing that I noticed is that White Paper has a special obsession with words related to “poison” and “madness”. Addiction, poisoning, and psychic distortion are used to depict pleasure, and the form of conditioning focuses on the mental breakdown of the conditioned person, turning her into a “depraved demoness full of lewd tumors and addicted to crazy pleasures,” and a “carnal machine whose senses are adjusted to be the most suitable for sex, “a sex doll with a strange pale skin, lustful breasts, sensual intoxication”, a sick, evil, destructive aesthetic concept. This vicious hidden concept, only a very few Japanese novels can be seen, in the Chinese works are only dripping all the world’s red-faced tears of blood Zhu Yan blood “Jiemei”, “Night Lotus”, “Hibiscus” is more similar. The Chinese works only see the blood of Zhu Yan “Jie Mei”, “Night Lotus”, “Fu Hibiscus”. However, it is undeniable that such violent imagery, under the exquisite textual attainments, has a kind of poignant beauty before destruction.
It is like a rosebush that will wither, can not bear the large buds, can not bear the rich fragrance, in the weight of its own weight before breaking the last touch of stunning …… white paper essay is very beautiful, is a kind of gloomy decadent beauty.
I’ve got a lot of things to write here, and I don’t know how to describe the author who shook me, so let’s make a conclusion like this. White Paper’s work is the opposite of Breeze’s Alchemist Mary, but both works are highly rated by the author. However, both works are highly rated by the author. They are also works that should not be missed by authors who want to take the tyrannical route in terms of eroticism.
Currently, “Functions” by Chroma is in its fourth episode. White Paper himself has a parlor on the Fiction Channel.
Appendix:
Note: It is said that some psychologists, when analyzing the psychology of sexual abuse, have divided male sexual abusers into two broad categories, the “coyote” and the “rattlesnake”.
The “wolf” male sexual abuser is the type that longs to be recognized by patriarchal society. They worship the patriarchal symbols of power, such as the giant fist, and fear being called girlish. They worship the patriarchal symbols of power, such as the giant fist, and fear being called girlish. They worship the patriarchal symbols of power, such as the giant fist, and fear being called girlish. The main forms of sexual abuse are whipping, insertion of foreign objects, enemas, the use of the Internet and the use of the Internet as a means of communication. The main forms of sexual abuse are whipping, insertion of foreign objects, enemas, the use of the Internet and the use of the Internet as a means of communication. The main forms of sexual abuse are whipping, insertion of foreign objects, enemas, the use of the Internet and the use of the Internet as a means of communication. The main forms of sexual abuse are whipping, insertion of foreign objects, enemas, the use of painful clothespins, and rape games. Ling Wei of can be called a representative of this.
The “rattlesnake” male sexual abuser has a subconscious admiration for women. They have an unspoken admiration for women’s qualities, such as being able to enjoy sex more, dressing up, and being sexy and seductive. However, because they have not yet reached the level of sexual orientation of a costumed enthusiast or an inverted homosexual (passive male homosexual), they view sexual abuse of women as a “self-soothing performance” and “the art of creating an ideal woman”. Rattlesnake pleasure is centered on female dementia and on the sensual stimulation of costumes, such as rope bondage, vibrators, cross-dressing, visual rape, piercings, and tattoos.
Of course this division is only a generalized account,show a mixture of the two types of aesthetics.
I am interested in the criticism of FLAME on the Chronicles of Ali Buda and the strong response of the original author, Mr. Jade, and I would like to record my thoughts here as a supplement. At the same time, I hope to hear the opinions of various parties.
Basically, I would like to take the opportunity of both of your responses to add to the argument about “spoofing” and “empathy”.
However, it is still important to emphasize over here that the statements made here are still the author’s personal bias and subjective views. It is better to take it with the original text. It is better to take it with the original text. The author was originally quite fond of , so he must be biased in favor of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are favor of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are fond of < > and its author, if there are favor of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are there are fond of < > and its author, if there are favor of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are gt; and its author, if there are if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < & gt; and its author, if there are there are fond of < > and its author, if there are favor of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are originally quite fond of < > and its author, if there are author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are The author was originally quite fond of < > and its author, if there are are The author was originally quite fond of < > and its author, if there are author, if there are if there are The author was originally quite fond of < ; > and its author, if there are The author was originally quite fond of < & gt;, so he must be gt;, so he must be biased in fond of < >, so he must be biased in favor of and its author, if there are The author was originally quite fond of < >, so he must be gt;, so he must be biased in favor of < > and its author, if there are The author was originally quite fond of < >, so he must be biased in favor of < > and its author, if there are people who think they are fair, don’t read this article, so as not to vomit blood.
Quoting Brother Flame:
Flame: I’m going to talk about the strictness of settings purely from a reader’s standpoint. Tightness in this case is not the logic of the setting itself, but the author’s deliberate spoofing of his own work.
The author: honestly, it’s not readable here.” Doesn’t “tightness” refer to the logic of the setting, but the author’s spoof of his own work? …Keep reading.
Flame: Taking the author’s respected book “Ali Bu Da” as an example, when Hong Kong manga vocabulary became popular on the Internet, words such as “loser” and “servant” began to appear in the text deliberately and took the opportunity to satirize it. The timing is so coincidental and irrelevant to the storyline that one wonders if it is a deliberate spoof by the author. And then after the name of Bai Lan Xiong, there was doubt, now see the author of the text, it seems to be the same spoof.
I: You seem to get the sense from here that Brother FLAME is a friend who hates spoofs.
But…is spoofing a crime? Besides, the author doesn’t consider these two examples to be bad spoofs. On the one hand it’s inherently funny, and on the other hand both passages serve their purpose as far as story deduction plot advancement is concerned. For readers who don’t understand it, it doesn’t spoil the story. It can even be said that Lanyu has put considerable effort into making the spoof blend into the whole story. It’s ready to take the lead and start the story.
The Hong Kong manga vocabulary that deliberately appeared at the beginning would probably be a flash in the pan if it was just a mere spoof. However, Lanyu uses three different techniques to spoof the Hong Kong manga vocabulary, either explaining it, completing it, or even changing it.
In the beginning, the emergence of the Hong Kong manga vocabulary was explained by the fact that the southern barbarians were tough and good at speaking the language of the strong. At the same time, it gives the impression that the southern barbarians are foolish and warlike.
Afterward, John and Old Mao use the Strongman language to fool their way through when they are being hunted, and Fang Qingshu uses the Strongman language to force the orcs to accept the bout. Afterward, John and Old Mao use the Strongman language to fool their way through when they are being hunted, and Fang Qingshu uses the Strongman language to force the orcs to accept the bout. Afterward, John and Old Mao use the Strongman language to fool their way through when they are being hunted, and Fang Qingshu uses the Strongman language to force the orcs to accept the bout. Afterward, John and Old Mao use the Strongman language to fool their way through when they are being hunted, and Fang Qingshu uses the Strongman language to force the orcs to accept the bout. Afterward, John and Old Mao use the Strongman language to fool their way through when they are being hunted, and Fang Qingshu uses the Strongman language to force the orcs to accept the bout. John and Old Mao use the Strongman language to fool their way through when they are being hunted, and Fang Qingshu uses the Strongman language to force the orcs to accept the bout. Afterward, John and Old Mao use the Strongman language to fool their way through when they are being hunted, and Fang Qingshu uses the Strongman language to force the orcs to accept the bout. Afterward John and Old Mao use the Strongman language to fool their way through when they are being hunted, and Fang Qingshu uses the Strongman language to force the orcs to accept the bout. Fang Qingshu uses the Strongman language to force the orcs to accept the bout. similar to Wei-Shou-Bou’s great speech in < > about the fabric of the bout. This is similar to Wei-Shou-Bou’s great speech in This is similar to Wei-Shou-Bou’s great speech in about the fabricated Tibetan language . If Wei-Shou-Bou can be tolerated for spending poorly on flowers, why can’t John Qingshu use the If Wei-Shou-Bou can be tolerated for spending poorly on flowers, why can’t John Qingshu use the If Wei-Shou-Bou can be tolerated for spending poorly on If Wei-Shou-Bou can be tolerated for spending poorly on flowers, why can’t John Qingshu use the Strongman language to force the orcs to accept the bout? If Wei-Shou-Bou can be tolerated for spending poorly on flowers, why can’t John Qingshu use the Strongman language to force the orcs to accept the bout. If Wei-Shou-Bou can be tolerated for spending poorly on flowers, why can’t John Qingshu use the Strongman language to force the orcs to accept the bout.
Thirdly, centering on the language of the strong, Lanyu sets up the unique style of the southern barbarians. In order to match the language of the strong, Lanyu set the Southern Barbarians as a race that is brave and fierce, Lanyu sets the Southern Barbarians as a race that is brave and fierce, values its companions, encourages procreation, and maintains a basic respect for the strong, which rationalizes their speaking of the language of the strong Lanyu sets the Southern Barbarians as a race that is brave and fierce, values its Lanyu sets the Southern Barbarians as a race that is brave and fierce, values its companions, encourages procreation, and maintains a basic respect for the strong, which rationalizes their speaking of the language of the strong. values its companions, encourages procreation, and maintains a basic respect for the strong, which rationalizes their speaking of the language of the strong. values its companions, encourages procreation, and maintains a basic respect for the strong, which rationalizes their speaking of the language of the strong. values its companions, encourages procreation, and maintains a basic respect for the strong, which rationalizes their speaking of the language of the strong. values its companions, encourages procreation, and maintains a basic respect for the strong, which rationalizes their speaking of the language of the strong. Strong and And of course, the song < > even makes people think that the southern barbarians are a lovely and simple people now. people now. heroes of the world.
As for Bai Lan Xiong, the arctic bear bully, he fights with blood and acts with a strong man’s demeanor. He has a great sense of humor when drinking tea with John, helping John save Yu Hong, and sweeping the scene with his “World” and “Gold” fists. He has a great sense of humor when drinking tea with John, helping John save Yu Hong, and sweeping the scene with his “World” and “Gold” fists. He has a great sense of humor when drinking tea with John, helping John save Yu Hong, and sweeping the scene with his “World” and “Gold” fists. He has a great sense of humor when drinking tea with John, helping John save Yu Hong, and sweeping the scene with his “World” and “Gold” fists. He has a great sense of humor when drinking tea with John, helping John save Yu Hong, and sweeping the scene with his “World” and “Gold” fists. He has a great sense of humor when drinking tea with John, helping John save Yu Hong, and sweeping the scene with his ” World” and “Gold” fists. He has a great sense of humor when drinking tea with John, helping John save Yu Hong, and sweeping the scene with his ” World” and “Gold” fists. However, it’s important to note that while spoofing, Lanyu also keeps the story moving forward. However, it’s important to note that while spoofing, Lanyu also keeps the story moving forward. complete and detailed characterization and are not only a good example of how the “Fist of the World” and “Gold” fists. complete and detailed characterization and are not only a good example of how the “Fist of the World” and “Gold” fists. of the “Fist of the World”. The “Fist of Platinum” and “Fist of the World” have a complete and detailed characterization and structure of the Beast King’s Fist Technique. The “Fist of Platinum” and “Fist of the World” have a complete and detailed characterization and structure of the Beast King’s Fist Technique. Platinum” and “Fist of the World” have a complete and detailed characterization and structure of the Beast King’s Fist Technique. Platinum” and “Fist of the World” have a complete and detailed characterization and structure of the Beast King’s Fist Technique. Platinum” and “Fist of the World” have a complete and detailed characterization and structure of the Beast’s Fist Technique. , there is also a long separate history of magic in Ishtar. Even the “Bear Buster of the Far North” is not a term that just appeared out of nowhere.
Can it be said that you don’t have the heart to spend hundreds to thousands of words on a spoof of a line to make it work so that it doesn’t jeopardize the story?
What’s wrong with using the technique of spoofing to add to the story without destroying the story’s functioning? Of course, spoofing is not a creative technique recognized by the academy, but eroticism itself is not recognized by the academy…
We’re all born from the same root, but we’re all in a hurry to kill each other…
Flame: with these two examples, it is even suspected that John’s early playful insults by the Virgin Asher Infernal were a one-and-done move due to being galvanized by the biased views of some readers.
Doing so may be a special kind of fun for authors to express their irrelevant emotions in their work. For some readers, it may be good for a chuckle. For me, however, there are only bitter smiles. It’s as if a beautiful woman with a delicate, graceful body that you’ve held in your sights for a long time, in the next moment sticks her fingers up her nose and picks her boogers. Although it is only a moment, but the beautiful image is broken.
Self-destructive rigor is disrespectful to one’s own work, and equally disrespectful to the reader. The work is the author’s beloved child, so why cut an irrelevant scar across the child’s face at the whim of his or her own nature?
Author: Honestly, the paragraph “self-destructive severity…” is a bit too critical. I think it’s obvious whether or not Lanyu has any intention. It’s no wonder that the insulted author, Lanyu, fought back with the Ultimate Golden Sword.
But here, I think I understand what Brother FLAME is trying to say. Although I may have interpreted it wrongly, here is something I think is worth discussing. That is the conflict between “spoof” or “creative concept” and “empathy”. As for the “strictness” that Flame emphasized, I think it might be better to define it as “consistency and continuity of empathy”.
As defined in “Excerpt 2”, readers often put themselves into the shoes of a certain character and get a thrill out of the ups and downs of the plot. Generally speaking, this empathy is created by the author’s intentional guidance. However, there are times when certain plot twists will cause the reader to be unable to continue to feel emotionally involved, resulting in cursing and wailing, which cannot be offset by a mere “artistic effect” or “creative concept”.
I believe that any old man who has been hanging out in Wind and Moon for a longer period of time has probably heard of the great name of . The author’s tagline is to abuse the heroine, and I believe many people are also quite fond of its grand background structure and heavy excitement taste. Ironically, didn’t sell very well, and I haven’t heard anyone talking about the female characters in it. I think it’s because the female characters violated some unwritten rule. I think it’s because the female characters violated some unwritten rule. I think it’s because the female characters violated some unwritten rule. “Female characters can’t be touched by men other than the male protagonist unless they die. the over-rape, gives the impression that the female characters are the most powerful of all. “Female characters can’t be touched by men other than the male protagonist unless they die. The over-rape, gives the impression that the female characters are the most powerful, the most powerful, the most powerful and the most powerful. The over-rape, gives the impression that the female characters are the most powerful, the most powerful, the most powerful and the most powerful. The over-rape, gives the impression that the female characters are the most powerful of all. gives the impression that the female characters are very unattractive and cheap. very unattractive and cheap. cheap …. . The over-rape, gives the impression that the female characters are the very unattractive and cheap . . The over-rape, gives the impression that the female characters are the very unattractive and cheap . I remember at that time, Lian Yu also mentioned that “if a female character is fucked by another man, it’s best to e.g., “I don’t know if I’m going to be able to I remember at that time, Lian Yu also mentioned that “if a female character is fucked by another man, it’s best to euthanize her quickly” ….
If we use male characters, I think we can use as an example. In the past,was so powerful that it could be said to be sitting at two in Hong Kong comics. The great ocean is limitless, the Jedi White Sorrow, the Heavenly King Saya, I don’t know how many eyes it attracted. The great ocean is limitless, the Jedi White Sorrow, the Heavenly King Saya, I don’t know how many eyes it attracted. However after the change to featuring evil martial arts men, readers will find it very interesting. However after the change to featuring evil martial arts men, readers will find it very interesting. Although Fat Leung used countless reasons to cover up, but can not hide the fact that the protagonist can not be brought into the world. Although Fat Leung used countless reasons to cover up, but can not hide the fact that the protagonist can not be brought into the main character, can not produce “empathy”. produce “empathy”. produce “empathy”. produce “empathy”. produce “empathy”. produce “empathy”.
In the previous 100 issues of , there was a consensus among the readers that characters who “emphasize morality”, “respect their rivals”, “work out on their own”, “value their family’s feelings”, and “don’t play tricks” are worthy of generating “empathy”. their own”, “value their family’s feelings”, and “don’t play tricks” are worthy of generating “empathy”. However, the plot later features a prototype of the “out on their own”, “value their family’s feelings”, and “don’t play tricks” are worthy of generating “empathy”. However, the plot later features a prototype of the “out on their own”, “value their family’s feelings”, and “don’t play tricks” are worthy of generating ” empathy”. empathy”. However, the plot later features a prototype of the “out on their own”, “value their family’s feelings”, and “don’t play tricks” are worthy of generating ” empathy”. empathy”. empathy”. However, the plot later features a prototype of the “out on their own”, “value their family’s feelings”, and “don’t play tricks” are worthy of generating ” empathy”. empathy”. empathy”. empathy”. However, the plot later features a prototype of the “out on their own”, “value their family’s feelings”, and “don’t play tricks” are worthy of generating ” empathy”. empathy”. empathy”. empathy”. empathy”. However, the plot later features a protagonist, Evil Takeshi, who completely violates these rules. As a result, because of his incompatibility with the ” family”, the ” family”, “value their family’s feelings”, and “don’t play tricks” are worthy of generating ” empathy”. However, the plot later features a protagonist, Evil Takeshi, who completely violates these rules. However, the plot later features a protagonist, Evil Takeshi, who completely violates these rules. As a result, because of his incompatibility with As a result, because of his incompatibility with mainstream values, the story that focuses on the “empathy” of his family is not a “good” one. As a result, because of his incompatibility with mainstream values, the story that focuses on the “family’s feelings”, “don’t play tricks” is worthy of generating “empathy”. In the past, when I saw a strong man killing people, I would feel a kind of comfortable pleasure: “It’s such fucking pleasure! pleasure: “It’s so fucking cool” (BY White Sorrow). “It’s so fucking cool”. “It’s so fucking cool”. “It’s so fucking cool”. “It’s so fucking cool” (BY White Sorrow). “It’s so fucking cool” (BY White Sorrow), but when I saw Evil Takeshi killing people, I would only feel: “Damn, Takeshi is bullying the weak again…”
And in terms of why Brother FLAME was so offended by John being teased by the Virgin Asuka, I think that explains it. Because it’s pretty obvious that the first episode of the Alibudian Chronicles took a different route than the one that followed.
In the first episode, John Farrell is a black-hearted, vicious, evil man who has done all the dirty work and has been denied his comeuppance.
The tone of the whole story of ascension is that evil must triumph. In the first person, John Farrell’s life has been induced to be smooth, so everyone has the preconception that evil will triumph, and so they are relieved to put their feelings on John Farrell. As a result, at the beginning of the second episode, John Farrell made a fool of himself and his girlfriend ran away, causing dismay and dismay to the readers who implicitly regarded John as their avatar. Thinking back to the accusations of “raping and exploding Xueqiong’s bitch”, “turning Leng Linglan into a sex slave”, “thwarting the bones of the two stinking women”, it’s not hard to imagine how hurt readers were at the time… For fantasy erotica, where readers are entertained as the biggest prerequisite, focusing on the readers’ expectations should not be omitted either…
Of course.
John Farrell has a habit of hiding his true feelings in order to create a rich and distinctive image of his character. John Farrell is essentially the Yodo Shinji of EVA, with his heart guarded by the idea that “you can’t get hurt by rejecting people first”. John Farrell is essentially the Yodo Shinji of EVA, with his heart guarded by the idea that “you can’t get hurt by rejecting people first”. John Farrell is essentially the Yodo Shinji of EVA, with his heart guarded by the idea that “you can’t get hurt by rejecting people first”. John Farrell is essentially the Yodo Shinji of EVA, with his heart guarded by the idea that “you can’t get hurt by rejecting people first”. John Farrell is essentially the Yodo Shinji of EVA, with his heart guarded by the idea that “you can’t get hurt by rejecting people first”. John Farrell is essentially the Yodo Shinji of EVA, with his heart guarded by the idea that “you can’t get hurt by rejecting people first”. Shinji of EVA, with his heart guarded by the idea that “you can’t get hurt by rejecting people first”. It’s only after the fourth episode of that the empathy is not consistent, so it’s understandable that it’s not. And like Fei Er Catch, if it were not for her heartfelt confession in the seventh episode, she would have been captured by Asuka’s personal guards and taken to the bird meat stew pot, based on Her performance in the fourth episode.
Lanyu has a way of writing each character in a rich and colorful way, so he has the confidence to say, “More than the image, the character’s connotation and qualities are the most important, if you feel upset, then I can only say that you just see the woman you want to see, but don’t care about what kind of person that woman is in the end. And since the characters in it, are my sons and daughters, I care more about what kind of souls they have, than what kind of image they have.” I think it’s because he’s confident that he can rebuild “empathy” whenever he wants to… even if the second head of the Feather was trained by John to be a womanizer, the plotting of Jade brought her back from the dead.
However, I think it’s not easy for ordinary authors like me to choose between “creative concept” and “characterization”. Generally speaking, if a female character is fucked by a man other than the protagonist, it’s considered a violation of the rules, but Hu Zuofei can be an exception… For example, readers usually demand that the protagonist should be perfect and his partners should be safe, but how can we write a good story in this way? This question is perhaps an unsolved mystery…
At least for the time being, there is no way for the author to give an opinion on who is superior to whom between the two. I also hope that you can comment on this.
Finally, quoting Lian Yu’s counterattack, “The creative concept of each work is not the same, and cannot be narrowly defined by the same norms, just because my way of expressing myself is not as good as your preference, to say that it’s the author’s disrespect for his own work, then the idea itself also has a problem. You can say that you don’t appreciate this, but you don’t have the right to say that I don’t respect my own work.” I think it’s something every text appreciator should be aware of. Appreciation of literature has the right to be persuaded by reason, the right to express disagreement, the right to express dissatisfaction, but does not have the right to elevate their status above the author. No one should be elevated above the author.
I hope you can appreciate the work with equal…
Excerpt 1: ◎ Spoof, or KUSO: A creative method of imitation, copying, distortion, and other techniques to make the general reader think it is an ordinary plot, but some specific readers will have a unique sense of joy and a smile, through the common cognition between the author and the readers. This is a technique that is often cited in the current genre of fantasy erotica. Or, to use traditional literary criticism, it can barely be described as “symbolism” or “innuendo”.
However, “spoofs” themselves are mainly based on cartoon works, TV and movie dramas, and other things that have a wide range of circulation, and their significance is also focused on making people laugh. It is a kind of language art that can only be deconstructed by a specific audience.
Excerpt 2: ◎ Empathy (EMPATHY): In the process of reading works, readers will often resonate with certain characters within the work, sense of identity, and even put their own emotions into the work, resulting in the mind and emotions with the flow of the story and the ups and downs of the phenomenon that is “empathy”. In martial arts, fantasy, and fantasy erotic works that are regarded as masterpieces, one or even more characters that can produce empathy are often deliberately created.
And since the readers of fantasy erotica are mainly unmarried men with strong sexual desires, these characters are often beautiful young women. Anda and Ca àÅÒàÅÒ àÅ conspiracy theoriesÓ, ÒàÅÒàÅ’s ending should be euthanasiaÓ, and ÒàÅÅÒàÅ’ÒàÅÅ’ÒàÅÅ’ÒàÅÅÅ’ÒàÅÅÅ’ÒàÅÅ’ÒàÅÅ’ÒàÅÅÅ’ÒàÅÅÅÁ. It can be seen that the It can be seen that the It can be seen that the It can be seen that the ability to create It can be seen that the ability to create similar female characters It can be seen that the ability to create similar female characters that can produce empathy is an important It can be seen that the ability to create similar female characters that can produce empathy is an important It can be seen that the ability to create similar female characters that can produce empathy is an important It can be seen that the ability to create similar female characters that can produce empathy is an important It can be seen that the ability to create similar female characters that can produce empathy is an important indicator that affects the reflection and the ability to produce empathy. It can be seen that the ability to create similar female characters that can produce empathy is an important indicator that affects the reflection and the ability to produce empathy. It can be seen that the ability to create similar female characters that can produce empathy is an important indicator that affects the reflection and popularity of the work. The ability to create similar female characters that can produce empathy is an important indicator that affects the reflection and popularity of the work.
Excerpt 3. flame’s original response
Let’s talk about the strictness of settings purely from a reader’s standpoint. Tightness in this case is not the logic of the setting itself, but the author’s deliberate spoofing of his own work.
Take the author’s respected book Ali Buda as an example, when Hong Kong slow vocabulary became popular on the Internet, words such as “loser” and “servant” began to appear in the text deliberately and took the opportunity to satirize it. The timing is so coincidental and irrelevant to the storyline that one wonders if it is a deliberate spoof by the author. And then after the name of Bai Lan Xiong, there was doubt, now see the author of the text, it seems to be the same spoof.
With these two examples in mind, it is even suspected that John’s early playful insults by the saintly Asher Miles Head were a one-and-done move due to being fueled by the biased views of some of his readers.
Doing so may be a special kind of fun for authors to express their irrelevant emotions in their work. For some readers, it may bring a smile to their face. For me, however, there is only a bitter smile. It’s as if a beautiful woman with a beautiful body and a beautiful demeanor that you’ve had your eye on for a long time, in the next moment sticks her fingers up her nose and picks her boogers. Although it is only a moment, but the beautiful image is broken.
Self-destructive rigor is disrespectful to one’s own work, and equally disrespectful to the reader. The work is the author’s beloved child, so why cut an irrelevant scar across the child’s face at the whim of his or her own nature?
Likewise, applaud works that are more than disliked for their misogyny, such as Dragon Warrior.
Excerpt 4.
Everyone thinks differently, and I don’t think it’s disrespectful to my own work to keep Alibda’s style infinitely broad, which is what I’m trying to do with my own work, and I hope that the characters in my work can live in such an atmosphere.
One moment you may be groomed, the next you’re picking your nose… shouldn’t that look like that? However, more than the image, it’s the substance and qualities of the character that count, and if you find that offensive, then I can only say that you just see the woman you want to see and don’t care what kind of person that woman really is.
And since the characters in it, are my sons and daughters, I care more about what kind of souls they have, than what they look like.
The concept of each work is not the same, and can not be narrowly defined by the same norms, just because my way of expression, not as good as your preferences, say that this is the author of their own work of disrespect, then the idea itself also has a problem.
You can say that you don’t appreciate this, but you have no right to say that I don’t respect my own work.
If you are a book purchase reader, then I suggest you better buy another book instead, I don’t want to make money off you. If you are a white book reader, then I suggest you close your eyes, I don’t care to have you as an additional reader.
Finally, if you have the right to applaud a frog who honors his own work, then I guess I have the right to return an ultimate golden sword for the insults you’ve heaped upon me.
Author: Wanderer