In Chinese literature, under the creed of “carrying the Way” and the ritual of asceticism, even works depicting love between a man and a woman were regarded as immoral, not to mention works depicting sexual desires; it is not surprising that these books were among those banned. However, despite the strict prohibition, works depicting sexual desires still flourished and “became a great spectacle”. And not only in terms of quantity, but also in terms of quality, they are considered to be the best of the world’s erotic literature of all nationalities. Please don’t misunderstand the meaning of this sentence. I am not saying that the works depicting sexual desire in Chinese literature can be regarded as the best literature on sexual desire in the world, but I am saying that the state of depicting sexual desire and nakedly specializing in sexual intercourse like Chinese owners can be called the only one that can be said to be the best in the ancient and modern times and in the world. I am admittedly shallow, I have not read many Western novels, especially the novels dedicated to sexual desire, but the Western novels that describe sexual desire in a naked way are known to the world, such as Maupassant’s “Bel-ami” (Beautiful Friends) and so on, although there are some extremely obtrusive chapters in them (which the translators are reluctant to translate), but the party of the Although there are chapters that are very obtrusive (which the translator is reluctant to translate), they are not yet similar to the depiction of sexual desire in Chinese novels. Maupassant’s “life” in a few paragraphs of sexual desire description is not elegant and tame, but always in reason, not as good as China’s sexual descriptions out of reason. Zola (Zola) novels said that the prodigal son slut like to watch “yellow book”, meaning that for the obscene book; but my friend told me that the French secret sale of the low-level obscene books, there is no such as China’s obscene books dedicated to the state of sexual intercourse. Maupassant has a lot of short stories, lewd has been extreme, but for sexual intercourse is still false writing, not like the Chinese novel of real writing. Therefore, on the actual writing of sexual intercourse, and even painted sound and shadow, the appearance of the owner, such as Chinese novels, as shallow as I am, in fact, not in the literature of other nationalities have not seen; this is when we talk about the Chinese libido literature, first of all feel that it is a strange thing.
Why China’s sexual depiction will enter this “magic road”, naturally, we should study, the main point of this article to discuss, this is also one of the main points, but now let’s put aside this point, and first talk about the general face of Chinese literature of sexual desire.
As a general rule, most of the literature depicting sexual desire is a study of perverted sexual desire. But Chinese literature on sexual desire is an exception. In China, there are many stories about ordinary lovers who fall in love, often embedded in the actual writing of sexual intercourse; the rest of the novels depicting the theme of perverted sexual desire are all but actual writing of sexual intercourse. Therefore, if we ask what is the approximate face of Chinese sexuality works? There are two words that can cover it all: one is erotomania, and the other is the method of sexual intercourse – the so-called room technique. The sexual intercourse written in all Chinese novels is almost nothing but the method of sexual intercourse. The description of these methods of sexual intercourse has no value in literature; they are not literature in themselves. They are not literature in themselves, but they are of some use in the study of the pathology of perverted sexuality. As for the description of sexual desire that can be called literature, I am afraid that there is no more except for the pseudo-referred Flying Swallow Outreach by Ling Xuan and the paragraph of Reward for Jane in The Western Chamber. Therefore, to be honest, we do not have any literature on sexual desire to study, and we can only study the depiction of sexual desire in Chinese literature – it is only a kind of depiction, not literature at all.
Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China began to flourish in the Ming Dynasty. Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China began to flourish in the Ming Dynasty. Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China began to flourish in the Ming Dynasty. Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China began to flourish in the Ming Dynasty. Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of Nowadays, most of the novels about sexual desires – obscene books – were written Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China began to flourish in the Ming Dynasty. Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China began to flourish in the Ming Dynasty. Nowadays, most of the novels about sexual desires – obscene books – were written Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires was written after the Ming Dynasty. Nowadays, most of the novels about sexual desires – obscene books – were written Nowadays, most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China began to flourish in the Ming Dynasty. undoubtedly true that the depiction of Nowadays most of the novels about sexual desires – obscene books – were written after the Ming Dynasty. Nowadays most of the novels about sexual desires – obscene books – were written after the Ming Dynasty. Nowadays most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of Nowadays most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China was written after the Ming Dynasty. Nowadays most of the novels about sexual desires – obscene books – were written after the Ming Dynasty; therefore, it is undoubtedly true that the depiction of sexual desires in China began to flourish in the Ming Dynasty. There were already a lot of literature describing sexual desire at the Ming Dynasty. There were already a lot of literature describing sexual desire at the end of the Western Han Dynasty, but most of them were not passed on to future generations. There were already a lot of literature describing sexual desire at the end of the Western Han Dynasty, but most of them were not passed on to future generations. However, I doubt that there were already a lot of literature describing sexual desire at the end of the Western Han Dynasty, but most of them were not passed on to future generations. However, I doubt that there were already a lot of literature describing sexual desire at the end of the Western Han Dynasty, but most of them were not passed on to future generations. However, I doubt that there were already a lot of literature describing sexual desire at the end of the Western Han Dynasty, but most of them were not passed on to future generations. Most of the kings of the Western Han Dynasty were promiscuous; they had their own sexual desires. Most of the kings of the Western Han Dynasty were promiscuous; they had their own sexual desires. Most of the kings of the Western Han Dynasty were promiscuous; they had their father’s sexual desires. Most of the kings of the Western Han Dynasty were promiscuous; they had their father’s name, but they did not have a name. Most of the kings of the Western Han Dynasty were promiscuous; they had their own sexual desires. Most of the kings of the Western Han Dynasty were promiscuous; they had their father’s concubines, but they did not have a name. most of the kings of the Western Han Dynasty were promiscuous; they had their own sexual desires. Most of the kings of the Western Han Dynasty were promiscuous; they had their father’s concubines, but they did not have a name. Most of the kings of the Western Han Dynasty were promiscuous; they had their father’s name, but they did not have a name. Most of the kings of the Western Han Dynasty were promiscuous; they had their father’s concubines, their sisters, and their brothers’ wives, and so on and so forth. The king of ZiChuan, Zhengu, even made his favorite slave rape with his eight-year-old son. The king of ZiChuan, Zhengu, even made his favorite slave rape with his eight sons. royal maids, and Zhengu was either involved in the matting; and Zhengu was the only one who had his father’s concubines, their sisters, and their brothers’ wives. sisters, and their brothers’ wives, and so on and so forth. was either involved in the matting; or he made them lure in the daytime, and the dogs and horses met , and Zhengu was the only one who had his father’s concubines. horses met , and Zhengu was there to watch them; and when they gave birth to a child, they always said birth to a child, they always said, “I don’t know what is going on”, and made them go to their children. (The former Han Shu, thirty-eight years old, had been a child of his own.) The emperor’s palace is obscene, but also In this environment, the occurrence of The emperor’s palace is obscene, but also In this environment, the occurrence of works depicted by the emperor’s palace is not a matter of course. The emperor’s palace is obscene, but also In this environment, the occurrence of works depicted by the emperor’s palace is not a matter of course. Today’s biography, there are “Feiyan outreach”, “I don’t know what is going on”, and made them go to their children. Today’s biography, there are “Feiyan outreach” (the old title of “Feiyan”), “I don’t know what is going on”, and made them go to their children. Today’s biography, there are “Feiyan outreach” (the old title of “Feiyan”), “I don’t know what is going on”, and made them go to their children. Today’s biography, there are “Feiyan outreach” ( the old title of the Han Chinese name for “Feiyan outreach”), “I don’t know what is going on”, and made them go to their children. Today’s biography, there are “Feiyan outreach ” (the old title of the Han Ling Xuan). Today’s biography, there are “Feiyan outreach ” (the old title of the Han Ling Xuan written), “Zhao after the incident” (the old title of the Song Qin). Today’s biography, there are “Feiyan outreach ” (the old title of the Han Ling Xuan written), “Zhao after the incident” (the old title of the Song Qin, said). . . . Zhao after the incident” (the old title of the Song Qin, said from the same Li Sheng and the “Feiyan outreach ” similar), “Feiyan outreach” (Que name, a total of five trivial news), but especially (the title of the Song Qin, said from the same Li Sheng and the “Feiyan outreach ” similar), “Feiyan outreach” (Que name, a total of five trivial news), but especially Feiyan outreach” (Que name, a total of five trivial news), but especially (the title of the Song Qin, said from the same Li Sheng and the “Feiyan outreach ” similar), “Feiyan outreach” (Que name, a total of five trivial news), “Feiyan outreach” (Que name, a total of five trivial news), “Feiyan outreach” (Que name, a total of five trivial news), “Feiyan outreach” (Que name, a total of five trivial news), but especially the Feiyan outreach” (Que name, a total of five trivial news), “Feiyan outreach” (Que name, a total of five trivial news), but especially the ” Feiyan outreach ” one of the most famous, and the words are also “more successful. This article describes Zhao Feiyan’s “outreach”, which is the most famous news story in the world. describes Zhao Feiyan’s sister’s origins, the reason for the honor, to the emperor’s honor. This article describes Zhao Feiyan’s sister’s origins, the reason for the honor, to the emperor’s honor. This article describes Zhao Feiyan’s sister’s This article describes Zhao Feiyan’s sister’s origins, the reason for the honor, to the emperor’s honor. This article describes Zhao Feiyan’s sister’s origins, the reason for the honor, to the emperor’s honor. the honor, to the emperor’s indulgence and loss of life and stop. at the end of Ling Xuan’s own narrative, said the word Zi Yu, Lushui people At the At the end of Ling Xuan ‘s own narrative, said the word Zi Yu, Lushui people, from the minor officials, gradually to the phase of the Huainan. his concubine Fan Tongde Fan disciple of the son of Buzhou, can say Feiyan sisters story, so wrote “Zhao Hou Biezhang”, which is the honor to the emperor’s indulgence and loss of life and stop. so wrote “Zhao Hou Biezhang”, which is the honor to the emperor’s indulgence and loss of life and stop. so wrote “Zhao Hou Biezhuan”. At the end of the preface, Xuan was said to be the lieutenant of Hedong, and insulted Ban Biao’s father, so Biao continued to be missing from the historical records. So Biao continued to be missing from the historical records.
(According to today’s book does not have this preface, according to the “Siku Abstracts” cited) two paragraphs of the text is not connected, and not similar to the tone of the preface. (According to today’s book does not have this preface, according to the “Siku Abstracts” cited) two paragraphs of the text is not connected, and not similar to the tone of the preface. (According to today’s book does not have this preface, according to the “Siku Abstracts” cited) two paragraphs of the text is not connected, and not similar to the tone of the preface. cited) two paragraphs of the text is not connected, and not similar to the tone of the preface. (According to today’s book does not have this preface, according to the “Siku Abstracts”) two paragraphs of the text is not connected, and not similar to the tone of the preface. (According to today’s book does not have this preface, according to the “Siku Abstracts”) two paragraphs of the text is not connected, and not similar to the tone of the preface. cited) two paragraphs of the text is not connected, and not (According to today’s book does not have this preface, according to the “Siku Abstracts”) two paragraphs of the text is not connected, and not similar to the tone of the preface. connected, and not similar to the tone of the preface. (According to today’s book does not have this preface, according to the “Siku Abstracts”) two paragraphs of the text is not connected, and not similar to the tone of the preface. paragraphs of the text is not connected, and not similar to the tone of the preface. (According to today’s book does not have this preface, according to the ” Siku Abstracts”) two paragraphs of the text is not connected, and not similar to the tone of the preface. (According to today’s book does not have this preface, according to the ” Siku Abstracts”) two paragraphs of the text is not connected, and not similar to the tone of the preface. was a fake and the text was also a forgery . However, in ancient times, people such as Chao Gongwei believed; Chen Zhensun, although there may be cloud forgeries of the book, but also the cloud through the virtue of embracing the book. through the virtue of embracing the book. through the virtue of embracing the book. through the virtue of embracing the book. through the virtue of embracing the book. through the virtue of embracing the book, was also a forgery . embracing the book, was also a forgery. through the virtue of embracing the bun and other through the virtue of embracing the bun and other things (see the through the virtue of embracing the bun and other through the virtue of embracing the bun and other things (see the preface), scribes used, and through the virtue of embracing the bun and other things (see the preface), scribes used, and the words of the disaster of the disaster of the fire (see this article), but also the cloud through the virtue of embracing the book, was also a forgery. disaster of the fire (see this article), the Sima Gong contained in the ” In In “, was also a forgery. Gong contained in the ” In In” text was also a forgery . Sima Gong contained in the ” In all fairness, we naturally can not say that the must be a person, and must be made is the text, but the later generations of forgers do not take others for the forgers do not take others for the forgers do not take others for the forgers do not take others for the sake of the text. forgers do not take others for the forgers do not take others for the forgers do not take others for the subject matter, but picked a positive history. subject matter, but picked a positive history is not very obscene Han Chengdi for the subject matter (according to the ” Book of Han. Emperor Chenggong Ji”) Emperor Chenggong Ji” only indulgence in wine and color). Emperor Chenggong Ji” only indulgence in wine and color gently sentence, “outside the starting biography”), but also only recorded Zhao sisters Emperor Chenggong Ji. Emperor Chenggong Ji” only indulgence in wine and color gently sentence, “outside the starting biography”), but also only recorded Zhao sisters Emperor Chenggong Ji. Emperor Chenggong Ji” only indulgence in wine and color gently sentence, “outside the starting biography”), but also only recorded Zhao sisters Emperor Chenggong Ji. then why the forger If there is no legend about the Feiyan sisters anonymous, then why the forger If there is no legend about the Feiyan sisters anonymous, then why the forger If there is no legend about the Feiyan sisters anonymous, then why the forger If there is no legend about the Feiyan sisters anonymous, then why the forger If there is no legend about the Feiyan sisters anonymous, then why the forger If there is no legend about the Feiyan sisters anonymous, then why the forger If there is no legend about the Feiyan sisters anonymous, then why the forger anonymous, then why the forger pull on a Cheng emperor and Feiyan sisters out of thin air? describing sexual desire are to Fei Yan sisters as the subject describing sexual desire are to Fei Yan sisters as the subject matter, (according according to the according to the subject of the subject) The subject matter of sexual desire is to Fei Yan sisters as the subject matter, (according according according to the legend of the Fei Yan sisters) The subject matter of sexual desire is to Fei Yan sisters as the subject matter The subject matter of sexual desire is to Fei Yan sisters as the subject matter, (according according according to the legend of the Fei Yan sisters). The subject matter of sexual desire is to Fei Yan sisters as the subject matter , (according according according to the legend of the Fei Yan sisters). sisters as the subject matter, (according to the “Xijing Miscellany” Fei Yan where three things, are seen in the “Foreign Affairs”; the ” Xijing Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany” old title Ge Hong Miscellany Miscellany” old title Ge Hong, a Hong trek said to get Liu Xin “Book of the Han” one hundred volumes, and the “Book of the Han” one hundred volumes. of the Han” one hundred volumes, take the school of the Han” of the Han” one hundred volumes, take the school of the class volumes, take the school of the class as a small similarities and differences, which for the class of the differences, which for the class of the differences, which for the class of the solid not to take the person, but only twenty However, the Sui book. The book of the book two volumes, not the name of the author; Han Shu Kuangheng biography Yan Shigu Kuangheng biography Yan Shigu note, said The book of the book two volumes, not the name of the author Kuangheng biography Yan Shigu note, said The book of the book two volumes, not the name of the author; Han Shu Kuangheng biography Yan Shigu note, said The book of the book two volumes, not the name of the author; Han Shu Kuangheng biography Yan Shigu note, said not the name of the author; Han Shu Kuangheng biography Yan Shigu note, said today there is a ” Xijing Miscellany”, out of the name of the author. Xijing Miscellany”, out of the alley; also does not say who the Zhang Yanyuan “generations of famous paintings” began to say is Ge Hong, “miscellaneous chopping block language resources” and contained Yu Xin On the whole, this book has been passed down On the whole, this book has On the whole, this book has been passed down On the whole , this book has been passed down On the whole , this book has been passed down On the whole , this book has been passed down On the whole , this book has been passed down From the Jin Dynasty, out of the alley, cover the legend of the broken, the cloud for Ge Hong, or Wu Jun cloud for Ge Hong, or Wu Jun made, all of which On the whole, this book has been passed down from the Jin Dynasty, out of the alley, covering the legend of the broken, the cloud for Ge Hong, or Wu Jun made, all of which On the whole, this book has been passed down from the Jin Dynasty, out of the alley, covering the legend of the On the whole, this book has been passed down from the Jin Dynasty, out of the alley, covering the legend of the been passed down from the Jin Dynasty, out of the alley, covering the legend of the broken, the cloud for Ge Hong, or Wu Jun made, all of which have been used by On the whole, this book has been passed down from the Jin Dynasty, out of the alley, covering the legend of the broken, the cloud for Ge Hong, or Wu Jun made, all of which have been used by On the whole, this book has been passed down from the Jin Dynasty. whole, this book has been passed down from the Jin Dynasty, out of the alley, covering the legend of the broken, the cloud for Ge Hong, or Wu Jun made, all of However, it can be seen that there are many such stories circulating between the Han and Jin dynasties. (The story of However, it can be seen that there are many such stories circulating between the Han and Jin dynasties. (The story of the sisters of Fei Yan was only one of the subjects.) Later, some people compiled the Feiyan (The story of the sisters of Fei Yan was only one of the subjects.) Later, some people compiled the Feiyan Gaidian (), which was written by Ling Xuan. Therefore, although the text of Feiyan Gaidian is worthless in Han dynasty history, its value in literary history is not limited by the fact that it was written by Ling Xuan. Therefore, although the text of Feiyan Gaidian is worthless in Han dynasty history, its value in literary history is not limited by the fact that it was written by Ling Xuan. Therefore, although the text of Feiyan Gaidian is worthless in Han history, its value in literary history is not too great to be dismissed. According to Chao Gongwu’s words, the text of Feiyan Gaidian is worthless in Han history. According to Chao Gongwu’s words, the text of Feiyan Gaidian is worthless in Han history. According to Chao Gongwu’s words, and Tongde embracing the idea of a new era of Han history, its value in literary history is not too great to be dismissed. According to Chao Gongwu’s words, and Tongde embracing the idea of a new era of Han history, it is a very important part of the Han history. According to Chao Gongwu’s words, and Tongde embracing the idea of a new era of Han history, it is a very important part of the Han history. According to Chao Gongwu’s words, and Tongde embracing the idea of a new era of Han history, it is a very important part of the Han history. words, and Tongde embracing buns were often used. both of which can be imagined, this article has been circulating for a long time, and I am afraid If we ask why only the story of Fei Yan is being circulated now If we ask why only the story of Fei Yan is being circulated now when there are many works depicting sexual desire at the end of the Western Han Dynasty. If we ask why only the story of Fei Yan is being circulated now now when there are many works depicting sexual desire at the end of the Western Han Dynasty, the story of Fei Yan is being circulated now. depicting sexual desire at the end of the Western Han Dynasty, it is not clear why the story of Fei Yan is being circulated now? why only the story of Fei Yan is being circulated now when there are many works depicting sexual desire at the end of the Western Han Dynasty, the story of Fei Yan is being circulated now. being circulated now when there are many works depicting sexual desire at the end of the Western Han Dynasty, it is not clear why the story of Fei Yan is being circulated now? If we ask why only the story of Fei Yan is being circulated now when there are many works depicting sexual desire at the end of the Western Han Dynasty, it is not clear why the story of Fei Yan is being circulated now? Dynasty, it is not clear why the story of Fei Yan is being circulated now. At the end of the Western Han Dynasty, it is not clear why the story of Fei Yan is being circulated now. If we ask why only the story of Fei Yan is being circulated now when there are many works depicting sexual desire, it is not clear why the story of Fei Yan is being circulated now. If we ask why only the story of Fei Yan is being circulated now when there are many works depicting sexual desire, it is not clear why the story of Fei Yan is being circulated now. If we ask why only the story of Fei Yan is being circulated now when there are many works depicting sexual desire at the end of the Western Han Dynasty, it is not clear why the story of Fei Yan is being circulated. ask why only the story of Fei Yan is being circulated now when there are If we ask why only the story of Fei Yan is being circulated now when there are many works depicting sexual desire at the end of the Western Han Dynasty, the answer is also very easy. If we ask why only the story of Fei Yan is being circulated now when there are many works depicting sexual desire at the end of the Western Han Dynasty, the answer is also very easy. First, because the description of sexual desire is a forbidden book, after the invention of engraving, circulation is not easy. First, because the description of sexual desire is a forbidden book, after the invention of engraving, circulation is not easy. First, because the description of sexual desire is a forbidden book, after the invention of engraving, circulation is not easy. Sexual desire is a forbidden book, after the invention of engraving, circulation is still very difficult, not to mention the Han Dynasty did not have printing, only rely on hand-copier printing. Sexual desire is a forbidden book, after the invention of engraving, circulation is still very difficult, not to mention the Han Dynasty did not have printing, only rely on hand-copied. First, because the description of sexual desire is a forbidden book, after the invention of engraving, circulation is still very difficult, not to mention the Han Dynasty did not have printing, only rely on hand-copied. sexual desire is a forbidden book, after the invention of engraving, circulation is still very difficult, not to mention the Han Dynasty did not have printing, only rely on hand-copied. First, because the description of sexual desire is a forbidden book, after the invention of engraving, circulation is still very difficult, not to mention the Han Dynasty did not have printing, only rely on hand-copied. the Tang Dynasty, Chinese novels have been Romanticized, but they are not. Since the Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical figures; and they are not. Since the Tang Dynasty, Chinese novels have been Since the Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical figures; and since the subject matter is Secondly, since before the Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical figures; and they are not. Since the Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical figures; and since the subject matter is Secondly, since before the Tang Dynasty, Chinese novels have been Romance, in before the Tang Dynasty, Chinese novels have been Romanticized. Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical figures; and since the subject matter is Secondly, since before the Tang Dynasty, Chinese novels have been Romanticized. Romance, in which all stories are based on before the Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical figures; and since the subject matter is Secondly, since before the Tang Dynasty, Chinese novels have been Chinese novels have been Romance, in which all stories are based on before the Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical figures; and since Secondly, since before the Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical Since Secondly, since before the Tang Dynasty, Chinese novels have been Romance, in which all stories are based on one or two historical figures; and since the subject matter is centralized, there will be two results: (a) the later merging the stories and rewriting them, and (b) the later (b) the later merging the stories and rewriting them. (a) the later merging the stories and rewriting them, and (b) the elimination of the historical figures. (a) the later merging the stories and rewriting them , and (b) the elimination of the less interesting stories. Therefore, we should not doubt that there may not have been many stories in (a) the later merging the stories and rewriting them , and (b) the elimination of the less interesting stories. Therefore, we should not doubt that there may not have been many stories in (a) the later merging the stories and rewriting them , and (b) the elimination of the less interesting stories. should not doubt that there may not have been many stories in (a) the later merging the stories and rewriting them , and (b) the elimination of the less interesting stories. We should not doubt that there may not have been many stories in ancient times – at that time – on the basis of the few that exist today.
The Book of Jin” said Huidi after Jia’s name Nanfeng, licentious and wanton. Luo Nan has a minor official Duanli beauty stop, one day suddenly met an old woman, said the family has a disease, the diviner cloud appropriate to get the city south of the teenage boy bored, want to temporarily annoyed, there will be a heavy reward. So go with, get on the car under the curtain, basket box, traveling more than ten miles, after six or seven doors, open the basket box, suddenly see the building good house, asked where this is, the cloud is heaven; that is, to see the bath with fragrant soup, good clothes and food. When he was about to enter, he saw a woman, thirty-five or thirty-six years old, short and greenish-black, with a mole behind her eyebrow; he stayed for a few nights, and gave him a lot of clothes and ornaments. After the minor officials a little show off their clothes and jewelry, the crowd suspected theft, the minor officials said their encounter. Many people knew that the woman was Jia Hou also. At that time, many others died, but this minor official, after the love, to get all out. According to this account, it can be seen that Jia Hou’s licentiousness and unique. However, in the later erotic literature, there is no depiction of Jia Hou’s lustful story. This seems strange. The easiest way to explain this is to say that she was lost due to the tragedy, but this is not the fundamental reason. I think the fundamental reason is that later generations of writers do not like to short black mole Jia Nanfeng as the main character of erotic novels. The heroine of the “obscene book” must be a beauty, almost has become a stereotype of Chinese sexual literature. Jia after the ugly black, so can not inspire many literati for her special story; otherwise, set up a secret room, hunting for beautiful men to wantonly lust, is a good material for libido literature, later generations of libido depictions of the people will be willing to cut love?
On the contrary, because Emperor Yang’s harem was full of beauties, Wu Zetian and Yang Taizhen were the best beauties, so many stories about them were circulated in later generations. According to history, Wu Zetian may not be too much of a lustful anonymous Lu Pheasant, however, the descendants do not Lu Pheasant to do sexual descriptions of the material, and only take Wu Jiu (Yuan Mei passed on the “Control Crane Supervision Records” is out of the Mei forgeries), probably for the Lu Pheasant is not a stunning beauty.
As for the story of sui yang, the old “daiye gleanings”, “lost building record”, “sea mountain record” and so on. The daiye gleanings” a “south of the fireworks record”, the old title of the Tang Yan Shigu, the end of the trek, said Huichang in the monk Zhi Che got the Wakin Temple Court, the south of the fireworks record “cloudy. Yao Kuan thought that “Tang Yi Wen Zhi” contained in the “Fireworks Record” record of the fortunes of Guangling, this book has died, so the common people forged this book. (Xixi Conglue) The Misty House Record and the Hai Shan Record were not written by the author’s name, and the Ming people added them to the list as written by Han constrained. However, Liu Axe’s “Qingzao Gaojiao” also contains these two articles, which are believed to have been written by people in the Northern Song Dynasty. Hai Shan Ji” about Emperor Yang’s West Garden, recorded Emperor Yang’s songs – “looking south of the river tune”, is the beginning of the Tang Li Deyu, Daye in no such body; is the trace of forgery, has been clearly visible. Misery House Records” said the doctor He thick into the imperial girl car, “the car system is absolutely small, only one person, the machine is in which the machine to hinder the female hands and feet, the female fiber can not move. The emperor tried with a virgin, extremely happy”. It is also said that the thicker complex into the turn off the car, “the car weeks to pull the, can rise to the pavilion, such as walking on the ground; car in the Royal female, then since the shake”. It is also said that Emperor Yang got the copper up, ring in the bedchamber, and the imperial female in which, the slightest are into the identification. It is also said that “Daye eight years, Fangshi into the big Dan, the emperor served, Dang Si more uncontrollable, day and night Royal female dozens of people”. All these seven paragraphs, are written extreme eroticism, although very brief, has been enough to make “Sui Yang Yan Shi” hint.
If we assume that the “Flying Swallows Outreach” class of sexual desire novels out of the front, and “Mystery House” in the back, then the two different points, but also quite noteworthy. Flying Swallows Outreach” has two fundamental ideas, one for the complementary art, one for the spring side of the aphrodisiac to the loss of life.
As for the description of sexual intercourse itself, there is nothing special about it. However, the description of sexual intercourse itself is novel, such as the Royal Boys’ and Girls’ Car, the Turning Pass Car, and the taking of shadows by a copper vessel, as recorded in the Mystery House Records. Because of only the picking of complementary arts and spring two things, in the description is too thin, so the description of the “room art”. This can not be said to be progress in the description of sexual intercourse, but from then on into the devil’s way, completely lost the literary value.
Tang creation of the legend of love novels, extremely euphemistic moving, but depicts the sexuality of the work is very little. Modern Ye Dehui book published in the book, “heaven and earth, yin and yang, joyful and happy fugue”, the cloud is the white line of Jane compiled, get the stew Huang County, Mingsha Mountain stone room Tang copy. This fugue specializes in writing the fun of sexual intercourse, so it is called the great joy; first of all, the newlywed night, the second write couples of the four hours of joy, after the miscellaneous write “Wan Yee Shu Ji, light concubines,” “under the bright window, daytime extension,” and cheating wild, and even perverted libido! The “male style” is described to the fullest extent, very similar to the text in “Jin Ping Mei”. If this fugue really out of white line Jane hand, is the study of the Tang dynasty sexuality description of the important material; but I doubt Ye’s words, may not be reliable. And Ye’s trek said “Note (original note) cited “Dongxuanzi”, “Vegetarian Women’s Classic”, all the ancient books before the Tang Dynasty, …… here to prove that the two books are different from the same original, the letter is not a posteriori can be forged, and in the Tang and Song dynasties, these books circulated in the mouth of the scholarly literature, is not strange. Even specializing in this assignment to prove that the “Dongxuanzi” “Vegetarian Women’s Classic” (according to this two books, this engraved in the Ye’s “Guan Gu Tang Series”, recently published in the “Medical Heart Square”, although the ancient books, is a forgery). The non-false, especially called into question. Examination of Bai Xingjian is Bai Juyi brother, the word Zhi Xue, the end of the Jung Yuan scholar, deeds attached to see the biography of Bai Juyi. Xingjian had a collection of twenty volumes, which is no longer extant; other texts, there is “Liwa biography” in “Taiping Guangji” (Volume 484), “Three Dreams” in “Said Cache”, style and mood are not similar to the “Dale Fugue”. Liwa biography” said Xingyang giant son of the family by his father’s order to enter the city to take the examination, swim in the advocate of the female Liwa, poor, sick and poor, to the exile for Bailang, and then for the father to detect, tarted a few deaths and abandoned on the side of the road. Both traumatic ulceration, peer suffering, and abandoned; fortunately, not die, begging in the city. After the snowy night, to a house to beg for food, house that is Liwa new residence, see and pity, is back to the heart of the acceptance, reluctant to learn, and then pew first, the official Chengdu Province Senator. There is no libido description, the story of the twists and turns and sympathetic, extremely entwined can be viewed, known as the love of speech masterpiece. Therefore, it is unreasonable to say that the person who made the biography of Li Wa would suddenly become erotic and crazy at the same time, and make a “Dale Fugue” in any case. As for “three dreams” about three people’s dreams, phantasmagoria can be happy, not only does not have the slightest odor of erotomania, but also has nothing to do with sexual desire. In the past, Yang Shen forged the Secret of Miscellaneous Matters, and Yuan Mei pretended to be the Crane Controlling Supervisor’s Record, so the Dale Fugue is just the same as this kind of thing.
According to the above, it is clear that before the Song Dynasty, most of the novels about sexual desire were centered on historical figures (emperors), and they must be attached to the historical records, but they did not dare to directly depict daily life, which was also a last resort under the strict net of etiquette. This is also one of the reasons why the general novels have not yet departed from the Romance (i.e., novels that focus on emperors and warriors) format. It was not until the publication of Jin Ping Mei that a new path was opened.
Jinpingmei” in the Ming dynasty Wanli gengxu (1610 years) began to have engraved, the author does not know who; rumor has it that Wang Shizhen, because Shen Defu “wild access to the compilation” cloud out of the Jiajing inter-masterpiece hand, so the world for Wang Shizhen; or that is Wang’s disciples (Xie Yi preface). This book describes the world situation, extremely profound, especially more naked sexual descriptions. Flying Swallows Outreach” and “Misery House” are all literary works, “Jin Ping Mei” is made in the vernacular, so the description of sexual desire, more explicit and sensational. The whole book one hundred times, the description of sexual intercourse in ten of the six or seven, – both more and extremely varied, can be called a set of sexual intercourse description of the great success. The fact that the whole book, fake “Water Margin” Simon Qing as a clue. The beginning of the story is Simon Qing’s fornication with Pan Jinlian, hemlocked Wu Da to death, and took Jinlian as his concubine. After Wu Sung to take revenge, looking for Simon Qing did not get, accidentally killed Li Wai Fu, assassinated with Mengzhou; Simon Qing thus more wanton. There was Li Bier, whose husband, Hua Zixu, was acquainted with Simon Qing, and his family was rich; Simon Qing made his henchmen hook Hua Zixu to visit prostitutes, and he himself had an illicit affair with Li Bier.
After the death of Hua Ziwei due to a deficiency disease, the bottle then took the family’s property and returned to Simon Qing as a concubine. Simon Qing also married a widow, Meng Yulou, also has a lot of private wealth. Therefore, Simon Qing is more and more indulgent. Compound Hu monk aphrodisiacs, obscene heart more blazing; family slaves quite good-looking people, no fornication. Pan Jinlian because of good charm, especially favored. One night, ximenqing drunken return, jinlian to hu monks aphrodisiacs seven pills into it, wild swings after all night, ximenqing even off the sun and died. From then on, Simon Qing’s family was declining day by day. Pan Jinlian and his servant girl Chunmei and Qing son-in-law Chen Jingji fornication, the incident was reprimanded and sold; Li Jiaoer Meng Yulou and so on also down the hall to seek to go. Qing’s wife, Wu Yuniang, took her son Xiaoguo to avoid the Jin soldiers, and wanted to run to Jinan, where she met a monk, Pu Jing, who led her to the Yongfu Temple, where she dreamed of karma, and Xiaoguo became a monk.
Golden Lotus Plum” came out, there are many people copy. Wanli famous “Yu Jiao Li”, the cloud is also out of the “Jin Ping Mei” author’s hand. This book has been lost, Shen Derfu had seen the first volume, said “filthy militaristic hundred end, back Lun contempt of reason …… but the brush stroke wantonly smooth, seems to be especially better than the Golden Lotus Plum”. As for the story of the book, it is entrusted to the karma, and “Jin Ping Mei” in the characters echo. There is also the Renewal of the Golden Lotus Plum, titled “Ziyang Taoist compilation”, really out of the early Qing Dynasty, Shandong Ding Yaocang hand. The whole book is similar to “Jade Jiao Li”, and also describes the characters in “Plum in the Golden Vase” as men and women who are reborn and eat their own sins. The description of sexual desire is also similar to “Jin Ping Mei”, but the writing is not strong enough.
Why did erotic novels flourish in the Ming Dynasty? This also has its social background. Since the Ming Dynasty, after the Chenghua, the court and the countryside talk about “room art”, not ashamed. Fangshi dedication to the art of room suddenly expensive, for the world to admire. Between Jiajing, Tao Zhongwen into the red lead was honored, the official to the Special Progressive Guanglu Da Dafu Zhuguo Shao Shi Shao Fu Shao Bao Rites Department of the Ministry of Commerce, Gong Cheng Bo. Even to the scholar gas family Sheng Duanming and Gu Kexue also by “spring” – autumn stone square – only to get to be a big official. Since there are by the house art and spring and rich, naturally become a social good fashion; society has this trend, literature will naturally reflect. Golden Lotus Plum” and other books, the idea of describing the world, portraying decadence, and “beautiful friends” similar; which eroticism of sexual desire depicted just by the influence of the times, not surprisingly, and can not focus on this point to comment on the “Golden Lotus Plum”. However, the later generations of copying the “Jin Ping Mei” of the end of the stream of authors, can not observe the life, as much as the love of pseudo, in order to become a masterpiece, but instead focus on the description of sexual intercourse, and even a small book of thin things, from beginning to end, nothing but sexual intercourse, which is really into the Devil’s Road, I’m afraid the author of the “Golden Lotus Plum” was not expected. This kind of small books, in printing today, circulating in the marketplace is very abundant; they certainly do not deserve to be called the literature of sexual descriptions, and is not enough for perverted sexuality researchers of the material. Among them, there is the book “Flesh Puppet Troupe”, which is slightly better in mood, and its purpose is to awaken the world to cut off the desire for love, and the so-called “must be enlightened from the “Flesh Puppet Troupe”, before there is any real help”, so it specially describes the lewd and profane things, which is fascinating, and then the head of the baton.
However, the book’s few pages are still almost exclusively devoted to sexual intercourse, without ever writing about social phenomena in addition to sexual intercourse; this is a great shortcoming that diminishes its value.
In Chinese sex novels, there are several strange features: First, the art of taking tonic is rooted in the idea of genital worship of primitive people. Primitive people do not understand the scientific significance of the reproductive function, and when they see that the two sexes can give birth to children, they think that it is a mysterious and unbelievable strange thing, and thus they have a kind of magical superstition about the genitals; this is not surprising in the primitive age; however, after the cultural prosperity of China, it still preserves this kind of primitive thinking, and it is also divine, resulting in the absurd concept of “Caixinjutsu”. “This is not surprising in primitive times. The so-called yellow emperor imperial thousand women and get immortal to go and so on the calumny, then become the history of the tutelage of the basis. Almost no era in the history of China does not have this kind of magic words in the society, either explicitly or implicitly circulated. The Fangshi of the Han, Tang and Ming dynasties were the creators and publicizers of the art of tonicity. They did not understand the physiological role of sexual intercourse, thinking that men’s and women’s semen is a kind of the most magical treasure, delusion in sexual intercourse, sucking each other’s semen in order to nourish themselves, and even can be immortal; they – Fangshi, the creation of these slavery, half of the solid in the show of the world to deceive people, and half of them are also deceiving themselves. However, the art of taking tonic also has a mysterious nature, those who teach it is difficult to cover up its falsehood, learners suffer from the remote no quick results; so there is based on the principle of taking tonic art, want to apply the male and female semen directly out of the evil sayings. The wild old man exposes the word “said Li and the whole drinking men’s semen that can be aphrodisiacs, Ming Dynasty priests to the virgin menstruation refining red lead, are examples. This can be called the ordinaryization of the art of picking up tonic. However, the more ugly and unreasonable. Probably in the ancient sex novels, more written in the left way of the mysterious tonic art, and in modern sex novels but only drink human semen, a kind of ordinary tonic art.
The second is erotomania – almost every description of sexual desire is characterized by an erotomanic atmosphere. Erotic mania is not a kind of pathology, but a kind of pleasure that is customary in Chinese erotic novels, where men make women feel pain during sexual intercourse. In Jin Ping Mei, it is written that Simon Qing likes to “burn incense” on the body of a woman during sexual intercourse, thinking that it is pleasant. And the most meaningful depictions of sexual desire often speak of women’s pain in contrast to men’s pleasure.
Thirdly, fruitarianism. Describing the most obscene things, but topped with a very grandiose sign – to persuade the good; and must be the superstitious fruitfulness of the doctrine. It is the creed of all erotic novels that those who are good at sex will be in great trouble – regardless of whether the author is sincere or not. It is naturally a worthwhile thing for a novel to depict sexuality in order to make it known that “woe unto him that lusteth, and woe unto him that lusteth,” but not to expose the lustful to society or to the world. However, it is inappropriate to penalize the lustful with “karmic retribution” instead of subjecting them to social or legal sanctions. This is because fruitionism is rooted in superstitions about ghosts and gods, and once superstitions are not enough to bind people’s hearts, fruitionism loses its effectiveness. At that time, the book of exhortation to do good will become a temptation to do evil.
The above three items can barely cover the general appearance of Chinese erotic fiction. As far as I know, these three items can indeed be regarded as the special features of Chinese erotic novels. The depiction of erotomania is of course common in many countries’ erotic literature, but Chinese erotic novels are unique in that there is no erotomania – no erotomania means no depiction of sexual desire. As for the practice of “tapping” and “fruitarianism”, needless to say, they can be called “national treasures”.
Another example is the portrayal of sexual intercourse, which, as I’ve already said, is actually a Chinese specialty.
So we cannot help but say that the depiction of sexuality within Chinese literature has gone into the devil’s way from the very beginning, so that there is no literature in China that depicts sexuality properly. We have to realize that the purpose of libido depiction is to show a sick libido – a social and psychological disease that deserves to be studied. In order to express sick sexual desire, it is not necessary to describe sexual intercourse, especially not the “art of rooming”. Unfortunately, Chinese novelists have mistakenly believed that depicting “room skills” is the only way to depict sexual desire, and have also added to the siren song of the Fonzes who have been practicing the art of curing sex since ancient times, pervading the society, and as a result, they have produced the existing novels about sexual desire. No matter how to raise the signboard of persuasion, to describe the world’s situation of the explanation, so that people do not think that they are obscene books, but these crude and explicit description of sexual intercourse can only be attracted to improper sexual concepts, never inspire the slightest literary significance. In this regard, we feel that the unsound sexual concepts prevalent in Chinese society should really be the responsibility of those sexually explicit novels. The reason for the occurrence of such erotic novels in China is no more than the following: (a) the reaction of asceticism. (ii) The underdevelopment of sex education. The latter is especially the fundamental reason. All the good room art of the emperor to push the evil atmosphere, such as the end of the Ming Dynasty, but also sex education is not the inevitable phenomenon within the society.
Author: Mao Dun (Shen Yanbing)
Source: Mao Dun’s Collected Prose, Volume 11, Literary Discourse: The Depiction of Sexual Desire in Chinese Literature