All the Actions of the Uncommon is both heartfelt and brilliantly written, and is a double wall with Ten Scenes of Satin, which I never thought would be available on the Internet.
If “ten scenes of satin” is also strange and also positive, a hundred variations of the erotic depiction of the great moment, then, “the line of impermanence” is all the erotic martial arts in the plot, the idea of the most connotative work, in fact, even if you take out of the erotic content, but also counts as a netizen in the creation of martial arts orthopedic, if you can continue to work hard, when it can be reached the level of publication.
However, it should be noted that although the author claims to have been influenced by Huang Yi, the novel itself is simply a reproduction of Sima Ling’s style, which is not entirely comparable to Huang Yi’s improved Sima Ling style, so I wonder why the author did not mention Sima Ling?
A bit of humble opinion, I hope you can enlighten me.
Respondent: Shasta
A million thanks to Brother S.S.S. for the kind words.
I’m new to the game, so I don’t want to be compared to your predecessors.
In fact, what I mean by being influenced by Huang Yi is that in terms of plot structure, such as the setting of the era, it is the same as that of “Overcoming the Rain”. Even some of the original sects are from Huang Yi’s novels, which I have already modified when I posted them. As for Sima Ling, he was indeed my favorite author, but unfortunately he died young. I like the male protagonists in his novels, they are generally intelligent and powerful people with strong spiritual power and a sense of justice. I like their celestial battles at the juncture of good and evil, but never think that good will always win.
This plot driving structure of “All the Actions” is huge and should be very long. My little brother, KEYIN, has often revised it due to faulty writing up to this point, so the speed of posting will suffer.
As for the removal of eroticism, as a martial arts publication, I think this is a criticism that the erotic part of the text is poorly written and not desirable. I will try my best to improve it.
Please continue to support! Can’t thank you enough.
Respondent: S.S.S.
Brother Shasta is too modest, the masterpiece has not yet unfolded, how can I dare to talk about the good or bad of the erotic part? Besides, it is the law of a master to raise his voice first. To write about love, lust of living color, Sima, Huang Yi really unparalleled, their success lies in the men and women as a living thought, feelings of people to write, rather than machines or dolls, which is particularly important for the description of women. Novels such as all of the fresh, shameful, people can be husband’s generation, then the flavor is boring. So the depth of eroticism is often reflected in the eroticism outside.
This page often has a heavy taste, light taste, in fact, the real masterpiece of light, such as clear water hibiscus, elegant and elegant, heavy like alcohol brewed, drunk, this is the so-called there is no mutual birth, the reason for the real and the real, right?
The framework of the study of Huang Yi and the heart of this Sima, see brilliant, because most of Sima’s works of the framework of the pattern there are serious problems, which is really with his great talent is extremely disproportionate. However, the structure of “Over Rain” is also quite flawed, I believe you have your own choice.
The “all walks of life” is a big hand, slow down a little bit and what harm, brother will be the most enthusiastic readers. Because of the network speed problem, can’t every post to wave the flag, if there is a corner of the gain from the time will be served.
The following is a wonderful excerpt that I hope will be of interest to all the creators of this page. Tawdry Eyes reads “Shooting the Eagles” Floyd said, “The goal of life is death” (to wit). At first glance, this statement is very confusing! And who can not wait to want to die immediately? However, on closer examination, it makes sense; the life of anything is limited.
According to the Buddha, life’s quest for death is in fact an active quest. The life of a cell is very short, so it is always driven by the libido to combine with other cells, thus indirectly prolonging its own life as it creates new cells, and thus making its finite life infinite. Therefore, this pursuit of death is in fact a positive pursuit. In addition, this pursuit also has a double meaning: one is the continuation of one’s own life, and the other is to return to the “original” state of life. We usually think that the purpose of sex is to experience orgasm is actually wrong.
According to Buddha, life itself has no desire to change itself unless there is stimulation from outside. What the libido is trying to achieve is nothing more than a return to the desireless state that existed before the commotion. However, this return to the state of non-desire (i.e., the cell’s quest for death) is not the quicker the better; it has its own pleasurable criterion; in other words, it wants to “die.”
Get Satisfaction. Humans, as a species of animal, are controlled by this pleasant code, whether affectionate or not. Once a person’s sexuality is aroused, he or she will unconsciously follow this path of death, which is full of detours and delays.
If we can accept this point of view, the problem posed by the similarity of formulas can be solved. Brooks, a professor at Yale University, points out that “desire is present at the beginning of every novel and is often already in a state of being roused to such a degree of saturation that we must act to create the conditions to channel it.”
In the beginning part of the “shot”, Guo Yang’s two families were separated from their wives and broken families, coupled with the Jin soldiers burned and looted, resulting in the devastation of the Song Dynasty, immediately captured the reader’s heart, so that the novel was immediately full of narrative impetus, must be channeled to vent.
“If we accept the idea of narrative momentum, we find that in a perfectly plotted novel the narrative momentum released and stirred up, especially in the beginning of the novel, does not come in torrents, but rather, like a high pressure of energy circulating in a thermodynamic apparatus, obeys the law of retained energy.”
(Boo) According to Boo, this release of energy must not be a river bursting its banks in a torrential cascade. Although the reader would like to see the descendants of the Guo and Yang families grow up and kill their enemies, the pleasant guidelines for controlling the release of fictional energy will not allow us to do so.
It’s a bit like the process of making love: on the one hand, you want to turn yourself into a man, but on the other hand, you are trying to do everything you can, and you won’t end it easily unless you can’t stand it any longer. The development process of the novel plot is also the same, the most primitive power first to get nine or eighteen bends to go round and round, for example, not too busy to let Guo Jing revenge. First let Qiu Shi Ji and Jiangnan seven monsters hard fight, make some misunderstanding out, and then let the seven monsters to Mongolia to find Guo Jing still do not give an address to find Guo Jing and can not immediately let him learn kung fu, otherwise, that section of the Tiande immediately let Guo Jing killed, this is not a good thing. What should we do?
It doesn’t matter. Make Guo Jing a little bit stupider, and that martial arts will be much harder to learn. At the same time, turn Yang Kang into a badass, and it’ll be hilarious. This driving force is bulging left and right, meandering, and it doesn’t work! We have to make it go through some detours, for example, in “Divine Eagle”, first “push” the little dragon lady off the cliff, let Yang wait for sixteen years, so that you can make a lot of extraneous things again. In “Shooting”, Guo Jing is so stupid, he deserves to be left out of Huang Rong’s life. There are other things like making Zhang Wuji wait for ten years on a volcanic island…
This torrent roared and spilled its way through the man-made cliff path, panting and grimacing as it searched for a vent. At each bend, the torrent picks up more sediment and drums forward with more ferocity. At this point both the writer and the reader are in tune with each other, the former a sadist and the latter a masochist, one dancing the whip ‘snap, snap’ and screaming viciously, “Want some more?” The other grunts and moans, “One more lash, darling, a little heavier!” According to the Buddha, this delayed meandering functions as a kind of constraint on the narrative drive, which makes the final catharsis of the drive more pleasurable and complete. In addition, with the layers of meandering, a series of mysteries are also spread, irreversible, towards the ending, so that the reader can have a glimpse of the mountains at the end, and grasp the whole text accurately.
“This repetitive meandering, entwined in various minor episodes, in prolonging the meandering and preparing more effectively for the final catharsis, has organically brought the past and the present together, making us aware of the bond between the end and the beginning. Through the course of the novel’s libidinal development, we are brought irretrievably to the novel’s end, quasi the novel’s silence: that is, the end before the beginning. We have arrived at the un-narratable.” (Boo) So it seems that this code that controls the plot development of popular novels is in fact a common code of human sexuality, and thus common to both Russian folk fairy tales and Chinese martial arts novels. Moreover, the more this formula exists in popular fiction, the more it exists in its unadorned, primitive, and naked form. But because of the historical problem of the status of women, this pleasant guideline is in fact a thoroughly masculine formula.
The formula is ubiquitous to this day, whether in movies, music or novels.
For example, in many symphonies, the beginning part of most of the gradual beginning of unrest, let a person feel a strong presence of desire, the middle part of the desire in the failure to find or do not mean to find a vent immediately after the beginning of the diversion, but the final end is inevitably the middle of the countless strands of these diversions gradually converge together, with the momentum of the thundering towards the end of the timpani beat a messy pounding abruptly ended or a drain, the whole orchestra is like paralyzed like a soft mass, and then is “splitting and splitting”. In the timpani a messy pounding sound in an abrupt end, back or a leak like a note, the whole band is like paralyzed like a soft into a ball, and then is the “splitting” applause.
In “Shooting”, as the battle between Guo Jing, Yang Kang and Ouyang Feng intensified, the drums were beating loudly, and readers knew that the long-awaited climax of the novel was approaching, the golden drums were beating, the sound of killing shook the skies, and the battle between good and evil had begun, with the best moves waiting to be made, the hidden weapons glittering with a blood-curdling blue light, the hate was extinguishing the reason, the gravesite had already been chosen, and everything was going to be brought to an end. Amidst the blah-blah-blah of the black crows, Yang Kang’s body was festering, Ouyang Feng was running away, and the screams were endless…
Grassland wind is still flapping the yurt, look back at the course of this heavenly road, Duan Tiande has been edged, Yang Kang has been condemned by heaven, Ouyang Feng has been crazy since, the great gold flag fragments in the Mongolian hoofs of the iron tangled, lovers finally, all the grudges have been closed. There is nothing more to narrate. For the reader, it is also time to put all the grudges in the back of your mind, lift up those bloodshot eyes and yawn. The rising sun was rising outside the window. Ahem, it’s been a hard night of love making, so I’d better close the curtains and rest for bed.