Little brother looked at the “ten scenes of satin” article has a period of time, this piece of vantage point, little brother has always been a little bit of thought, now this class, to express their own views. If you have any views on my humble opinion, please advise. Little brother with the following aspects to analyze the “ten scenes satin” article.
1. Extrapolation of the story
2. Characterization
3. Erotic choreography
4. Merit of the text
5. Persistence of authors
1. Extrapolation of the story
Obviously, what makes the author of this article different from other erotic martial arts authors is that he has a story outline sheet from the very beginning of the story. For erotic martial arts, a good, complete, tight and in-depth story idea is absolutely important, ‘writing there and thinking there’ kind of writing style will easily lead to a loose and incoherent story. The author has a clear idea of the direction, theme and style of the story from the very beginning, which is rare amongst previous works.
More than one hundred and seventy times down, “ten scenes satin” the story is generally reasonable, the refutation is very little, there are only such as the character’s tone of voice, the time of day and night is not clear and other small problems, and the structure is even more distinctly desirable: the story by the Xiang Yang and the Wen Yuan two for the development of the two-headed dragon, each has their own strange and wonderful encounters, the world of love; the two lines seem unrelated, but in the end can be naturally merged into a single, which is a good indication of the author’s ability. The two lines seem to be unrelated, but in the end, they can naturally merge into one, which shows the author’s skill. The female characters interspersed among them also play an interactive role.
There are so many characters in the text that it would have been a bit chaotic, but the author is particularly good at plotting without any sense of disorganization. There are no cold scenes or overlaps between events, and the climaxes come one after the other, making it a fascinating read. But it is a pity that, if we talk about the viewability and compactness of the plot, about the first sixty, seventy times (that is, before the end of the battle of the Women’s Manor) is the peak of the work, while the later is only a standard work, which is purely my personal opinion. In addition, this article is titled “Ten Scenes of Satin”, but it is a pity that the “Ten Scenes of Satin” account for very little, I can not help but worry about the remaining dozens of times, the author can not be “Ten Scenes of Satin” to link the whole story.
2. Characterization
As we all know, depicting characters is an important part of erotic martial arts novels, if the characters of the protagonists can not stand out, the novel’s viewability and sense of immersion is bound to be greatly reduced, it is difficult to squeeze into the ranks of the top works.
The characterization of “Ten Scenes of Satin” can be described as one of the best: Wen Yuan’s gentle and elegant, Xiang Yang’s bold and unrestrained, Hua Xuan’s innocent and lovely, Little Murong’s dexterous and agile, Zi Yuan’s gentle and mature, Zhao Wanyan’s righteousness, and even Murong Xiu’s evil and righteousness, the big open and close, the author has presented them on the paper in a vivid manner.
What is rare is that the characters’ personalities are consistent from beginning to end, without creating emotions for the text; and the growth of the characters is also flesh and blood, with a sense of reality. The most representative example is Murong Xiu, who fell in love with Lan Lingyu, from condescending to cutting off one of his own fingers, the author has successfully told the readers what is the ‘metamorphosis of a man’.
The dialog of the characters in this text shows the author’s ingenuity. The tone of the characters’ dialog is very appropriate to their own identities. They are gentle and gentle, and they are rough and rough, without any ambiguity. This may seem simple and natural, but it is not easy to achieve in a novel of hundreds of thousands of words.
3. Erotic choreography
In terms of the depiction of erotic scenes, I think that “Ten Scenes of Satin” is also good in terms of quantity and quality, and is not oily or greasy.
In terms of quantity, the author’s erotic portrayal and plot explanation are often plum blossom bamboo, never biased, after all, a superior work should not favor one side and ignore the other. Overview of this article so far, its erotic scenes are organized very well when, on average, every three to four times there will be a number of salt flowers, in terms of quantity can be said to be enough.
In terms of quality, it is the author’s strong point. In the erotic martial arts that I have seen, if the arrangement of the plot, the depth of the content, the characters of the delineation, portrayal of the delicate, smooth writing, the atmosphere of the warmth, the precise use of the word, the ten king satin can be said to be one of the best.
There have been comments that the erotic scenes in “Ten Scenes of Satin” are too bland with more warmth and charm but not enough sensual stimulation. In my opinion, this is the most desirable part of this article: if you want violent and abusive plots, there are plenty of other works, why should you read Ten Scenes of Satin? I think that both the author and many readers like the romantic mood of seeing warmth in blandness, and any exaggerated and wildly exaggerated plot descriptions will only destroy the unity of “Ten Scenes of Satin”.
Moreover, in Ten Scenes of Satin, there is no lack of creative erotic depictions: for example, Hua Xuan and Lan Lingyu comforting each other with bamboo branches in front of the flowers and moonlight, and Wen Yuan and Zi Yuan tangling in the ‘immodest treasure box’, etc., all of which make one’s blood run cold. Therefore, the ten scenes of satin are ‘bland’ for a reason.
4. Merit of the text
The Ten Scenes of Satin is the most poetic and bookish work among the erotic martial arts I have read. One can see that Mr. Fong is well versed in Chinese literature and history. There are poems in the text that are often used in a good way, and the quotes and citations can be considered as one of the major features of this text.
As to whether or not this feature is cookie-cutter? I don’t think so. The author’s textual prowess, though not accessible to everyone, is easy to read and understand, and not so discouraging.
5. Persistence of authors
Finally, I would like to commend the author for his perseverance and persistence in writing. I have also created articles in my spare time, and I know how hard it is to write, especially the online creation of this kind of work with no substantial return. The Ten Scenes of Satin” hall of more than 170 times, hundreds of thousands of words, brother Fang in the years between, always insist on creating, in order to entertain the netizens, really deserves our applause.
I wish Brother Fang’s “Ten Scenes of Satin” a happy ending and a long life in the history of erotic literature!
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